<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article
  PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.2 20190208//EN" "http://jats.nlm.nih.gov/publishing/1.2/JATS-journalpublishing1-mathml3.dtd">
<article xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML"  dtd-version="1.2" article-type="Article" xml:lang="en">
<front>
<journal-meta>
<journal-id journal-id-type="publisher">conversations</journal-id>
<journal-title-group>
<journal-title>Dance Studies Association</journal-title>
<journal-subtitle>Conversations Across the Field of Dance Studies</journal-subtitle>
</journal-title-group>
<issn pub-type="epub"/>
</journal-meta>
<article-meta>
<article-id pub-id-type="publisher-id">3659</article-id>
<article-id pub-id-type="manuscript">14-Nayar.docx</article-id>
<article-id pub-id-type="doi">10.3998/conversations.3659</article-id>
<title-group>
<article-title>Choreography for Lola, March 2021</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname>Nayar</surname>
<given-names>Dahlia</given-names>
</name>
<xref ref-type="bio" rid="bio1"/>
<email>dahlia_nayar@berkeley.edu</email>
<aff><institution>Univeristy of California, Berkeley</institution><institution content-type="position"/><institution content-type="dept"/><addr-line content-type="addrline1"/><country/><addr-line content-type="city"/><addr-line content-type="zipcode"/><phone content-type="primary"/></aff>
</contrib>
</contrib-group>
<author-notes>
<corresp id="CR1"/>
</author-notes>
<pub-date><day>31</day><month>1</month><year>2023</year></pub-date>
<volume>42</volume>
<issue>0</issue>
<permissions>
<license xlink:href="https://creativecommons.org/licenses/by-nc-nd/4.0/">
<license-p>CC BY-NC-ND 4.0</license-p>
</license>
</permissions>
<abstract id="ABS1">
<p id="P1"/>
</abstract>
<kwd-group>
<kwd>Lola</kwd>
<kwd>choreography</kwd>
<kwd>Asian American women</kwd>
<kwd>anti-Asian violence</kwd>
</kwd-group>
<counts>
<fig-count count="1"/></counts>
</article-meta>
</front>
<body>
<list list-type="simple">
<list-item><label>0.</label><p>Walâ: Hold breath
<list list-type="simple">
<list-item><p>Rational or not,</p></list-item>
<list-item><p>You kept the directive short.</p></list-item>
<list-item><p>Focused on key words.</p></list-item>
<list-item><p>Don’t go out alone.</p></list-item>
<list-item><p>Another attack.</p></list-item>
<list-item><p>Someone just like you.</p></list-item>
</list></p></list-item>
<list-item><label>1.</label><p>Isá: Palm of the hand
<list list-type="simple">
<list-item><p>Later, you overhear Mom</p></list-item>
<list-item><p>(aka Nanay aka Lola aka Tita)</p></list-item>
<list-item><p>on the phone with her Ate and Dete.</p></list-item>
<list-item><p>Not safe right now. Mahirap.</p></list-item>
<list-item><p>Their chorus of <italic>Ay Naku</italic>!</p></list-item>
<list-item><p>Travels through the ether</p></list-item>
<list-item><p>From Quezon City to Chicago via WhatsApp.</p></list-item>
<list-item><p>Their furrowed brows fill the screen</p></list-item>
<list-item><p>In the palm of her hand.</p></list-item>
</list></p></list-item>
<list-item><label>2.</label><p>Dalawá: Flank and Surround
<list list-type="simple">
<list-item><p>A new choreographic response emerged instinctually.</p></list-item>
<list-item><p>At first it was a kind of flanking. Two family members on either side.</p></list-item>
<list-item><p>Flank: verb [with object]</p></list-item>
<list-item><p>guard or strengthen (a military force or position) from the side.<sup><xref rid="fn1" ref-type="fn">1</xref></sup>
</p></list-item>
<list-item><p>But she was still exposed. She was still visibly a senior citizen, an</p></list-item>
<list-item><p>Asian/American woman. Intuitively, a third family member moved to walk in front of her.</p></list-item>
</list></p></list-item>
<list-item><label>3.</label><p>Tatló: Circumscribe
<list list-type="simple">
<list-item><p>Thus, the flanking became circumscribing.</p></list-item>
<list-item><p>“Some common synonyms of circumscribe are <italic>confine, limit, and restrict</italic>. While all these words mean ‘to set bounds for,’ circumscribe stresses a restriction on all sides and by clearly defined boundaries.”<sup><xref rid="fn2" ref-type="fn">2</xref></sup>
</p></list-item>
<list-item><p>We surround her with our bodies to hide her from view. We imitate bodyguards shielding a celebrity from the paparazzi. We are ridiculous. We acclimate to her pace. Our amoeba formation shuffles down the sidewalk.</p></list-item>
</list></p></list-item>
<list-item><label>4.</label><p>Apat: Quotidian movement
<list list-type="simple">
<list-item><p>(By the way, we were just taking her to the dentist.</p></list-item>
<list-item><p>A quotidian outing.</p></list-item>
<list-item><p>Like how, the Monday before, Tita Vilma was going to church, on the morning of her birthday.)</p></list-item>
</list></p></list-item>
<list-item><label>5.</label><p>Limá: Tongue
<list list-type="simple">
<list-item><p>In a class for heritage learners,</p></list-item>
<list-item><p>The professor explained my mother tongue to me.</p></list-item>
<list-item><p>It is the logics of a different world.</p></list-item>
<list-item><p>Ka indicates relationality… .</p></list-item>
<list-item><p>Ka + patid (cut) = means cut from the same umbilical cord</p></list-item>
<list-item><p>Kapatid na babae—sister</p></list-item>
<list-item><p>Kapatid na lalaki—brother</p></list-item>
<list-item><p>Kaibigan—friend</p></list-item>
<list-item><p>Kapitbahay—neighbor</p></list-item>
<list-item><p>Kasama—companion, comrade</p></list-item>
<list-item><p>Ka as a worldmaking speech act</p></list-item>
<list-item><p>Ka as recognizing relationality.<sup><xref rid="fn3" ref-type="fn">3</xref></sup>
</p></list-item>
</list></p></list-item>
<list-item><label>6.</label><p>Anim: Out of Sight
<list list-type="simple">
<list-item><p>So let me get this straight.</p></list-item>
<list-item><p>We want to keep her safe by keeping her invisible.</p></list-item>
<list-item><p>Wasn’t she invisible from the day she arrived in this country?</p></list-item>
<list-item><p>And now these things keep happening.</p></list-item>
<list-item><p>In broad daylight.</p></list-item>
<list-item><p>East coast, west coast.</p></list-item>
<list-item><p>And we need to make her invisible again?</p></list-item>
</list></p></list-item>
<list-item><label>7.</label><p>Pitó: Cover your ears
<list list-type="simple">
<list-item><p>Are you about to quote the trite bits from the news? Or a meme? Or a tweet?</p></list-item>
<list-item><p>I don’t want to hear it. Another incident of. No thank you. Salamat.</p></list-item>
<list-item><p>The news, by the way, is a choreography of emphases and elisions.</p></list-item>
<list-item><p>For example:</p></list-item>
<list-item><p>Emphasis: Spike in Asian Hate amidst pandemic.</p></list-item>
<list-item><p>Elision: <italic>In the aftermath of the president’s pernicious phrase “China virus”</italic></p></list-item>
<list-item><p>Emphasis: Attacker: mentally ill, homeless, ex convict</p></list-item>
<list-item><p>Elision: <italic>The brokenness produced by 400 years of structural racism</italic></p></list-item>
<list-item><p>Emphasis: Security guards were fired.</p></list-item>
<list-item><p>Elision: <italic>Neoliberalism requires apathy for survival</italic>.</p></list-item>
<list-item><p>Emphasis: She was told she does not belong</p></list-item>
<list-item><p>Elision: <italic>Due to the normalization and perpetuation of violent white settler colonialism that this country is founded on… .</italic>
</p></list-item>
</list></p></list-item>
<list-item><label>8.</label><p>Waló: To Shut
<list list-type="simple">
<list-item><p>No need for a screenshot here.</p></list-item>
<list-item><p>The security camera footage is burned in your mind.</p></list-item>
<list-item><p>This particular choreography of silence and erasure</p></list-item>
<list-item><p>One body laying on the ground outside.</p></list-item>
<list-item><p>Three bodies tentatively approach from inside</p></list-item>
<list-item><p>One locks the door</p></list-item>
<list-item><p>The three back away.</p></list-item>
<list-item><p>Circumscribing keeps them in. Keeps the danger out.</p></list-item>
</list></p></list-item>
<list-item><label>9.</label><p>Siyám: Shuffle
<list list-type="simple">
<list-item><p>We shuffle forward around Lola.</p></list-item>
<list-item><p>Qualities of a shuffle…</p></list-item>
<list-item><p>A hushed yielding to gravity</p></list-item>
<list-item><p>Is also an imperceptible allowance for lightness.</p></list-item>
<list-item><p>A transitory state.</p></list-item>
</list></p></list-item>
<list-item><label>10.</label><p>Sampû: Dissolve
<list list-type="simple">
<list-item><p>Whenever they asked <italic>How long have you been here</italic>?</p></list-item>
<list-item><p>You know, in <italic>that</italic> way,</p></list-item>
<list-item><p>My father used to respond.</p></list-item>
<list-item><p>Since before you were born.</p></list-item>
</list>
<list list-type="simple">
<list-item><p>Long enough to know, for example,</p></list-item>
<list-item><p>That in the Midwest</p></list-item>
<list-item><p>On the morning after the first frost</p></list-item>
<list-item><p>(If you’re lucky)</p></list-item>
<list-item><p>You’ll catch a murmuration</p></list-item>
<list-item><p>Over the fields.</p></list-item>
</list>
<list list-type="simple">
<list-item><p>In some other world, a world we have yet to know,</p></list-item>
<list-item><p>All the non-belonging minor bodies</p></list-item>
<list-item><p>Join and congeal like this.</p></list-item>
<list-item><p>The choreography of circumscription morphs into a continuous folding</p></list-item>
<list-item><p>A swallowing of center and periphery.</p></list-item>
<list-item><p>A dissolution in order to start anew</p></list-item>
<list-item><p>And take flight.</p></list-item>
</list></p></list-item>
</list>
<media xlink:href="https://www.fulcrum.org/embed?hdl=2027%2Ffulcrum.2514np110" mimetype="video" mime-subtype="mov" position="anchor" specific-use="online"><caption><title><italic>Flight After Frost</italic></title><p>Video footage by Dahlia Nayar shows flocks of birds flying in murmuration over a green field in Illinois, in October 2021.</p></caption><attrib id="umptg_fulcrum_resource_2514np110" specific-use="umptg_fulcrum_resource"><ext-link ext-link-type="uri" specific-use="umptg_fulcrum_resource_link" xlink:href="https://www.fulcrum.org/concern/file_sets/2514np110"/><ext-link ext-link-type="uri" specific-use="umptg_fulcrum_resource_css_stylesheet_link" xlink:href="https://www.fulcrum.org/downloads/2514np110?file=embed_css"/><ext-link ext-link-type="uri" specific-use="umptg_fulcrum_resource_embed_link" xlink:href="https://www.fulcrum.org/embed?hdl=2027%2Ffulcrum.2514np110"/><alternatives><preformat specific-use="umptg_fulcrum_resource_identifier" position="anchor">2514np110</preformat><preformat specific-use="umptg_fulcrum_resource_title" position="anchor"><italic>Flight After Frost</italic></preformat></alternatives></attrib></media>
</body>
<back>
<fn-group content-type="footnotes">
<fn id="fn1"><label>1.</label><p>Erin McKean, <italic>The New Oxford American Dictionary</italic> (New York, NY: Oxford University Press, 2005).</p></fn>
<fn id="fn2"><label>2.</label><p><ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="uri" xlink:type="simple" xlink:href="https://www.merriam-webster.com/thesaurus/circumscribe">https://www.merriam-webster.com/thesaurus/circumscribe</ext-link>.</p></fn>
<fn id="fn3"><label>3.</label><p>Special thanks to Tita Joi, Dr. Joi Barrios-Leblanc, UC Berkeley.</p></fn>
</fn-group>
<bio id="bio1">
<title>Author Biography</title>
<p><bold>Dahlia Nayar</bold> is a PhD student in UC Berkeley’s Theater, Dance, and Performance Studies program. Her research focuses on embodied manifestations of Quiet in minoritarian communities. She holds an MFA in dance/choreography from Hollins University and has toured and performed throughout the United States and internationally. She is a recipient of the Jacob Javits Fellowship, Massachusetts Cultural Council Fellowship in Choreography, and the National Dance Project Touring Award.</p>
</bio>
</back>
</article>