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<article article-type="research-article" dtd-version="1.2" xml:lang="en" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id journal-id-type="issn">2834-6823</journal-id>
<journal-title-group>
<journal-title>Conversations Across the Field of Dance Studies</journal-title>
</journal-title-group>
<issn pub-type="epub">2834-6823</issn>
<publisher>
<publisher-name>Michigan Publishing</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.3998/conversations.5945</article-id>
<article-categories>
<subj-group>
<subject>Article</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>Table of Contents</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author" corresp="yes">
<name>
<surname>G&#243;mez-Garc&#237;a</surname>
<given-names>Juan Sebasti&#225;n</given-names>
</name>
<email>juansebastiangoga@gmail.com</email>
<xref ref-type="aff" rid="aff-1">1</xref>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Timina</surname>
<given-names>Polina</given-names>
</name>
<email>polina.timina@gmail.com</email>
</contrib>
</contrib-group>
<aff id="aff-1"><label>1</label>Centro de Pensamiento Pluralizar la Paz / Institut pour la Paix</aff>
<pub-date publication-format="electronic" date-type="pub" iso-8601-date="2024-07-19">
<day>19</day>
<month>07</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="collection">
<year>2024</year>
</pub-date>
<volume>43</volume>
<fpage>i</fpage>
<lpage>v</lpage>
<permissions>
<license>
<license-p>CC BY-NC-ND 4.0</license-p>
</license>
</permissions>
<self-uri xlink:href="https://journals.publishing.umich.edu/conversations/article/10.3998/conversations.5945/"/>
</article-meta>
</front>
<body>
<p>We have decided to organize the contributions into pairs to emphasize our wish and strength: creating conversation. We have grouped them for various reasons: to highlight how similar situations can be navigated differently, to make connections between disparate places, and to show how distinctive identities and processes can lead to similar struggles or come to a shared liberation. The keywords indicate and suggest the &#8220;why&#8221; of pairing, the themes we find they pull at. The first contribution serves as the entry point into this journal, sets the tone. The last one&#8212;our final note, a ringing in our ears.</p>
<p><styled-content style="text-align: right; display: block;">Enjoy,</styled-content></p>
<p><styled-content style="text-align: right; display: block;">Juan and Polina</styled-content></p>
<table-wrap>
<table>
<tbody>
<tr>
<td align="left" valign="top"></td>
<td align="left" valign="top"><italic>Introduction: Approximations and Findings on Ethics, Risk, Safety, and Care in the Fields of Dance Research</italic> By Juan Sebasti&#225;n G&#243;mez-Garc&#237;a and Polina Timina</td>
<td align="left" valign="top">1</td>
</tr>
<tr>
<td align="left" valign="top"></td>
<td align="left" valign="top"><p><disp-quote><p><italic>Keywords</italic>: ethics, risk, safety, field, care, violence, experience, anthropology, academic institutions, Euro-American centrism</p></disp-quote></p></td>
<td align="left" valign="top"></td>
</tr>
<tr>
<td align="left" valign="top">1.</td>
<td align="left" valign="top"><italic>Against Discovery</italic> By Sarah Lass</td>
<td align="left" valign="top">23</td>
</tr>
<tr>
<td align="left" valign="top"></td>
<td align="left" valign="top"><p><disp-quote><p><italic>Keywords</italic>: phenomenology, discovery, contemporary dance, settler colonialism, indigenization, relations, coordination</p></disp-quote></p></td>
<td align="left" valign="top"></td>
</tr>
<tr>
<td align="left" valign="top">2. &amp; 3.</td>
<td align="left" valign="top"><italic>Party Girls Don&#8217;t Get Hurt (?) Loving and Fearing the Party Scene and Nightlife in Kingston, Jamaica</italic> By Daniela Rodr&#237;guez Neira and <italic>From Sevilla to Brussels: a Description of the Decision-Making Process from the Researcher&#8217;s Bodily Experience While Navigating Risks in the Field</italic> By Ana Gabriela Hernandez Hernandez</td>
<td align="left" valign="top">43<break/>63</td>
</tr>
<tr>
<td align="left" valign="top"></td>
<td align="left" valign="top"><p><disp-quote><p><italic>Keywords</italic>: fear, sexualizations of bodies, support systems, dance in precarity, nightlife, social dance, community strategies of protection, panic, performance in diaspora, women researchers, (dis)comfort, activism, dancehall, rap</p></disp-quote></p></td>
<td align="left" valign="top"></td>
</tr>
<tr>
<td align="left" valign="top">4. &amp; 5.</td>
<td align="left" valign="top"><italic>Exploring Ubuntu-Based Research Methodologies in Southern African Bantu People&#8217;s Embodied Movements: Ethical Considerations, Community-Based Strategies, and Philosophy</italic> By Alois Maluleke and <italic>Responding to the Call of</italic> Compromisso: <italic>Reflections on Research Ethics from the Ground of Capoeira Angola</italic> By Esther Viola Kurtz</td>
<td align="left" valign="top">87<break/>110</td>
</tr>
<tr>
<td align="left" valign="top"></td>
<td align="left" valign="top"><p><disp-quote><p><italic>Keywords</italic>: Ubuntu, ethics, community, ethnochoreomusicology, ritual, decolonization, cultural attunement, ecological sustainability, empowerment, capoeira, positionality, compromisso, embodied ethics, intersubjectivity, responsibility</p></disp-quote></p></td>
<td align="left" valign="top"></td>
</tr>
<tr>
<td align="left" valign="top">6. &amp; 7.</td>
<td align="left" valign="top"><italic>Contemporary Dangers in Researching the Field in the Republic of Srpska in Retrospect to the Yugoslav War in Bosnia and Herzegovina: An Experience from the Field in the Kozara- and Potkozarje-Area</italic> By Nikola Petrovi&#263; and <italic>I Came Out to My Father Through My Positionality Chapter: Reflections on Ethics and Risk</italic> By A. A.</td>
<td align="left" valign="top">137<break/>154</td>
</tr>
<tr>
<td align="left" valign="top"></td>
<td align="left" valign="top"><p><disp-quote><p><italic>Keywords</italic>: identity of researcher, Eastern Europe, folk dance spaces, nationalism, diaspora, perception by interlocutors, classroom, authenticity, traditional dance, dance scene, research anxiety, danger, risk, ethnochoreology, queerness</p></disp-quote></p></td>
<td align="left" valign="top"></td>
</tr>
<tr>
<td align="left" valign="top">8. &amp; 9.</td>
<td align="left" valign="top"><italic>Becoming-With Risk in Autoethnographic Creative Practice</italic> By Alesha Mehta and <italic>A Society to Me: On Conflict and Intimacy Training</italic> By Sam Wentz and his team of movement researchers</td>
<td align="left" valign="top">176<break/>189</td>
</tr>
<tr>
<td align="left" valign="top"></td>
<td align="left" valign="top"><p><disp-quote><p><italic>Keywords</italic>: artistic practice, transgression, autoethnography, boundaries, objects making space, ritual as method, conflict, intimacy, risk, dance improvisation, play, responsibility, cooperation, non-verbal exploration, bodily experience</p></disp-quote></p></td>
<td align="left" valign="top"></td>
</tr>
<tr>
<td align="left" valign="top">10. &amp; 11.</td>
<td align="left" valign="top"><italic>Drilled Choreographies: Interventions on Preparing for the Active Shooter</italic> By Shannon Woods and <italic>Community care in Palestine: When Grief and Politics Meet in the Body</italic> By Annie Wren</td>
<td align="left" valign="top">195<break/>212</td>
</tr>
<tr>
<td align="left" valign="top"></td>
<td align="left" valign="top"><p><disp-quote><p><italic>Keywords</italic>: performance as research, rehearsal, disciplined bodies, choreography in/of violence, grief work, community, intervention, emotions, embodied experience, vulnerability, improvisation, movement, vocabulary, law enforcement, resistance</p></disp-quote></p></td>
<td align="left" valign="top"></td>
</tr>
<tr>
<td align="left" valign="top">12. &amp; 13.</td>
<td align="left" valign="top"><italic>Armenian Women&#8217;s Embodiment in a Phenomenon of War</italic> By Sona Pogossian and <italic>&#8220;We Can&#8217;t Let Go&#8221;: Navigating Dance in a (Post-)Conflict Society</italic> By Debanjali Biswas and Babina Devi</td>
<td align="left" valign="top">231<break/>249</td>
</tr>
<tr>
<td align="left" valign="top"></td>
<td align="left" valign="top"><p><disp-quote><p><italic>Keywords</italic>: sensibilities or resistance, ongoing violence, traditional dance, women in dance, insider-outsider dynamics, everyday life, ritual, suspicion, militarization, gender, cultural identity, conflict, Manipur, war phenomenon, Armenia</p></disp-quote></p></td>
<td align="left" valign="top"></td>
</tr>
<tr>
<td align="left" valign="top">14. &amp; 15.</td>
<td align="left" valign="top"><italic>Psychological Safety in the Western Concert Dance Technique Class</italic> By Nicole Perry, Halie Barr, Cat Kamrath-Monson and <italic>Ethical Relationality in Rehearsal Spaces: a Case Study of</italic> Mizu no Eki By M&#233;lanie Stuckey and Peter Fairbridge</td>
<td align="left" valign="top">268<break/>295</td>
</tr>
<tr>
<td align="left" valign="top"></td>
<td align="left" valign="top"><p><disp-quote><p><italic>Keywords</italic>: care, ethics, psychological safety, agency, creative process, horizontality, collectivity, colonial and western structures, dance representation, ethical relationality, inclusivity, ecology, non-dominant narratives, dance technique</p></disp-quote></p></td>
<td align="left" valign="top"></td>
</tr>
<tr>
<td align="left" valign="top">16.</td>
<td align="left" valign="top"><italic>Le Dernier Jour d&#8217;un Condamn&#233;&#8212;My Auto-Condemnation</italic> By Marita Matar</td>
<td align="left" valign="top">313</td>
</tr>
<tr>
<td align="left" valign="top"></td>
<td align="left" valign="top"><p><disp-quote><p><italic>Keywords</italic>: auto-condemnation, plea, colonial methodologies, violence, inclusive care</p></disp-quote></p></td>
<td align="left" valign="top"></td>
</tr>
</tbody>
</table>
</table-wrap>
</body>
</article>