Volume 11 • 2024

Musical Notation

Michael Dickson

2024-05-03 Volume 11 • 2024

Subjectivity in Film: Mine, Yours, and No One’s

Sara Aronowitz and Grace Helton

2024-05-03 Volume 11 • 2024

The Future of Double Consciousness: Epistemic Virtue, Identity, and Structural Anti-Blackness

Orlando Hawkins and Emmalon Davis

2024-05-03 Volume 11 • 2024

Accuracy-First Epistemology and Scientific Progress

Peter J. Lewis, Don Fallis and Branden Fitelson

2024-05-03 Volume 11 • 2024

Receptive Publics

Joshua Habgood-Coote, Natalie Alana Ashton and Nadja El Kassar

2024-05-03 Volume 11 • 2024

Emotional Injustice

Arina Pismenny, Gen Eickers and Jesse Prinz

2024-05-03 Volume 11 • 2024

Moral Principles: A Challenge for Deniers of Moral Luck

Anna Nyman

2024-05-03 Volume 11 • 2024

The Logic of Contingent Actuality

Martin Glazier and Stephan Krämer

2024-05-03 Volume 11 • 2024

Non-Additive Axiologies in Large Worlds

Christian Tarsney and Teruji Thomas

2024-05-03 Volume 11 • 2024

The Specter of Revealed Preference Theory

Lukas Beck

2024-05-03 Volume 11 • 2024

Perfection and Success

Hasko von Kriegstein

2024-05-03 Volume 11 • 2024

The W-Defense Defended

Justin A. Capes

2024-05-03 Volume 11 • 2024

Hume's Constitutivist Response to Scepticism

Taro Okamura

2024-05-03 Volume 11 • 2024

Toward an Expressivist View of Women's Autonomy

Laura Martin

2024-05-03 Volume 11 • 2024

What Kind of Non-Realism is Fictionalism?

Nathaniel Gan

2024-05-03 Volume 11 • 2024

Correction Notice for "Epistemic Exploitation" by Nora Berenstain (Ergo, 2016, Vol. 3)

2024-02-08 Volume 11 • 2024