About
Film Criticism is a peer-reviewed, online publication bringing together scholarship in
the field of cinema and media studies since 1975.
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Elizabeth Reich (University of Pittsburgh)
Black Women Documentary Filmmakers Roundtable: Zeinabu irene Davis, Juanita Anderson, and Tracy H. Strain
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Kayla Brockington
Claiming Spaces: An Interview with Tracy H. Strain
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Hayley O’Malley (Rice University)
“A Woman with Film Reels for Eyes”: The Many Genres and Speculative Possibilities of Black Women’s Film Criticism
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Samantha Sheppard
Love is at the Center: In Praise of Black Feminist Film Criticism
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Lucian Țion (University of Amsterdam)
Early Hollywood’s Social Awareness Films and Contemporary Cinema: The Locarno International Film Festival, 2024
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Damini Kulkarni
All Over the Place, or Everything Everywhere All at Once: The 18th Edition of the Mumbai International Film Festival
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Liz Reich (University of Pittsburgh), Maria Alexandra Arana Blas (University of Pittsburgh), Hayden Bunker (University of Pittsburgh), Chi-Tsung Chang (University of Pittsburgh), Meghan Hipple (University of Pittsburgh), Nicene McNeil (University of Pittsburgh), Senjuti Mukherjee (University of Pittsburgh), Jay Rauch (University of Pittsburgh), Abhisek Roy Barman (University of Pittsburgh), Hebah Uddin (University of Pittsburgh)
Black Women’s Music Videos: Towards a Critical Bibliography of One Black Film Feminism
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Jacqueline Bobo (University of California, Santa Barbara)
Black Women Filmmakers: Professional Journey, Personal Reflection
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Liz Reich (University of Pittsburgh)
Feeling First: An Interview with Filmmaker Aarin Burch
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Courtney R. Baker (University of California, Riverside), Ellen C. Scott (University of Pittsburgh), Elizabeth Reich (University of Pittsburgh)
Introduction: Black Film Feminisms
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Charlene Regester (University of North Carolina-Chapel Hill)
Black Women Provide Divergent Representations of Blackness in Buster Keaton’s Silent Pictures
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Ellen Scott (University of California, Los Angeles), Shola Lynch
The Contours of Black Women’s “Historical Imagination”: An Interview with Shola Lynch
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Jim Carter (Boston University)
The Guilty Spectator: Sexuality, Age, Crime and Dario Argento’s Deep Red (1975)
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Amanda Shubert (University of Wisconsin--Madison)
“To Become a Devil”: Special Effects, Magic Tricks, and the Technological Image in Faust
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Marie Bellec (University of Pennsylvania)
Neo-Imperial Island Fantasy in Contemporary French Reality TV: The Case of Koh-Lanta
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Gerd Gemünden (Dartmouth College)
An Uncertain Future: The 74th Berlin Film Festival
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Baran Tekay (Istanbul Beykent University)
Transforming Cultural Memory: Inglourious Basterds (2009)
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Alberto Iozzia (Boston University)
Fast Zombies and Social Rights: The Case of Umberto Lenzi’s Nightmare City (1980)
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Wyatt Moss-Wellington (University of New England)
Warwick Thornton’s Emotional Landscapes: Indigenous Cinema and Cultural Autonomy in Australia
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Sheri Chinen Biesen (Rowan University)
Nostalgia, Remembrance and Crises in an Evolving Streaming Media Industry
Volume 48 • Issue 2 • 2024
Introduction: Black Film Feminisms
Courtney R. Baker, Ellen C. Scott and Elizabeth Reich
2024-12-12 Volume 48 • Issue 2 • 2024
Black Women Provide Divergent Representations of Blackness in Buster Keaton’s Silent Pictures
Charlene Regester
2024-12-12 Volume 48 • Issue 2 • 2024
“A Woman with Film Reels for Eyes”: The Many Genres and Speculative Possibilities of Black Women’s Film Criticism
Hayley O’Malley
2024-12-12 Volume 48 • Issue 2 • 2024
Black Women Filmmakers: Professional Journey, Personal Reflection
Jacqueline Bobo
2024-12-12 Volume 48 • Issue 2 • 2024
Black Women Documentary Filmmakers Roundtable: Zeinabu irene Davis, Juanita Anderson, and Tracy H. Strain
Elizabeth Reich
2024-12-12 Volume 48 • Issue 2 • 2024
Claiming Spaces: An Interview with Tracy H. Strain
Kayla Brockington
2024-12-12 Volume 48 • Issue 2 • 2024
The Contours of Black Women’s “Historical Imagination”: An Interview with Shola Lynch
Ellen Scott and Shola Lynch
2024-12-12 Volume 48 • Issue 2 • 2024
Feeling First: An Interview with Filmmaker Aarin Burch
Liz Reich
2024-12-12 Volume 48 • Issue 2 • 2024
Love is at the Center: In Praise of Black Feminist Film Criticism
Samantha Sheppard
2024-12-12 Volume 48 • Issue 2 • 2024
Black Women’s Music Videos: Towards a Critical Bibliography of One Black Film Feminism
Liz Reich, Maria Alexandra Arana Blas, Hayden Bunker, Chi-Tsung Chang, Meghan Hipple, Nicene McNeil, Senjuti Mukherjee, Jay Rauch, Abhisek Roy Barman and Hebah Uddin
2024-12-12 Volume 48 • Issue 2 • 2024