About
Film Criticism is a peer-reviewed, online publication bringing together scholarship in
the field of cinema and media studies since 1975.
Latest Articles
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Landon Palmer (University of Alabama)
MTV Video Stardom as Media Power: Madonna’s (Moving) Image Control
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Daniel Gómez Steinhart (University of Oregon)
New Forms: The Currents Program at the 2020 New Film Festival
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David Sterritt (N/A)
A Regional Festival with a Global Reach
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Sheri Chinen Biesen (Rowan University)
Sounds of Romance: Musicalizing Cinematic Passion
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Doyle Greene (Independent scholar)
"Blinded by the Light" and Rock Tradition
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Sheri Chinen Biesen (Rowan University)
Blues, Smoke and Shadows: Jazz in 'Musical' Noir Films
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Emily Chivers Yochim (Allegheny College)
Alice Leppert, "TV Family Values: Gender, Domestic Labor, and 1980s Sitcoms" (Rutgers University Press, 2019)
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Shannon McRae (State University of New York at Fredonia)
J. R. Jordan, Robert Wise—The Motion Pictures (Bear Manor Media, 2020)
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Devapriya Sanyal (N/A)
M.K. Raghavendra, "Locating World Cinema: Interpretations of Film as Culture" (Bloomsbury Academic India, 2020)
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Serkan Şavk (Izmir University of Economics)
Gönül Dönmez-Colin, "Women in the Cinemas of Iran and Turkey: As Images and as Image-Makers" (Routledge, 2020)
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Jihoon Kim (Chung-ang University)
Data Visualizations, Vlogs, Drone Imagery: Expanded Documentary Forms in the COVID-19 Emergency
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Ayesha Ahmed (N/A)
The Smile in "Son of Saul": A Test of Différance
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Peter Gardner (N/A), Barbara Foley (Rutgers University-Newark)
Between the Fasces and the Cross: Politics and History in Federico Fellini's "La Strada"
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Kathy Vanhout (University of Antwerp)
Offstage absorption: on John Cassavetes' "Opening Night" (1977)
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Henry Rownd (N/A)
PANNING (and SCANNING) "SKIDOO" (1968): Watching TV on Otto Preminger's Widescreen
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Marc Raymond (Kwangwoon University)
Beyond the Auteur: South Korea's Domestic Independents as National Cinema
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Joy McEntee (University of Adelaide)
Vigilantism and the Law in "Three Billboards Outside Ebbing, Missouri"
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Eli Boonin-Vail (University of Pittsburgh)
Visible Stripes: Reenacting Trauma in Hollywood's Carceral Aesthetics
Volume 45 • Issue 1 • 2021
Feature Article
Vigilantism and the Law in "Three Billboards Outside Ebbing, Missouri"
Joy McEntee
2021-10-14 Volume 45 • Issue 1 • 2021
Beyond the Auteur: South Korea's Domestic Independents as National Cinema
Marc Raymond
2021-10-14 Volume 45 • Issue 1 • 2021
Visible Stripes: Reenacting Trauma in Hollywood's Carceral Aesthetics
Eli Boonin-Vail
2021-10-14 Volume 45 • Issue 1 • 2021
PANNING (and SCANNING) "SKIDOO" (1968): Watching TV on Otto Preminger's Widescreen
Henry Rownd
2021-10-14 Volume 45 • Issue 1 • 2021
Offstage absorption: on John Cassavetes' "Opening Night" (1977)
Kathy Vanhout
2021-10-14 Volume 45 • Issue 1 • 2021
Between the Fasces and the Cross: Politics and History in Federico Fellini's "La Strada"
Peter Gardner and Barbara Foley
2021-10-14 Volume 45 • Issue 1 • 2021
Data Visualizations, Vlogs, Drone Imagery: Expanded Documentary Forms in the COVID-19 Emergency
Jihoon Kim
2021-10-14 Volume 45 • Issue 1 • 2021
Book Review
Gönül Dönmez-Colin, "Women in the Cinemas of Iran and Turkey: As Images and as Image-Makers" (Routledge, 2020)
Serkan Şavk
2021-10-14 Volume 45 • Issue 1 • 2021
M.K. Raghavendra, "Locating World Cinema: Interpretations of Film as Culture" (Bloomsbury Academic India, 2020)
Devapriya Sanyal
2021-10-14 Volume 45 • Issue 1 • 2021
J. R. Jordan, Robert Wise—The Motion Pictures (Bear Manor Media, 2020)
Shannon McRae
2021-10-14 Volume 45 • Issue 1 • 2021
Alice Leppert, "TV Family Values: Gender, Domestic Labor, and 1980s Sitcoms" (Rutgers University Press, 2019)
Emily Chivers Yochim
2021-10-14 Volume 45 • Issue 1 • 2021
Film Festival Review
New Forms: The Currents Program at the 2020 New Film Festival
Daniel Gómez Steinhart
2021-10-14 Volume 45 • Issue 1 • 2021
Editors' Contribution
Blues, Smoke and Shadows: Jazz in 'Musical' Noir Films
Sheri Chinen Biesen
2021-10-14 Volume 45 • Issue 1 • 2021