About
Film Criticism is a peer-reviewed, online publication bringing together scholarship in
the field of cinema and media studies since 1975.
Latest Articles
-
Daniel Gómez Steinhart (University of Oregon)
New Forms: The Currents Program at the 2020 New Film Festival
-
David Sterritt (N/A)
A Regional Festival with a Global Reach
-
Sheri Chinen Biesen (Rowan University)
Sounds of Romance: Musicalizing Cinematic Passion
-
Doyle Greene (Independent scholar)
"Blinded by the Light" and Rock Tradition
-
Sheri Chinen Biesen (Rowan University)
Blues, Smoke and Shadows: Jazz in 'Musical' Noir Films
-
Emily Chivers Yochim (Allegheny College)
Alice Leppert, "TV Family Values: Gender, Domestic Labor, and 1980s Sitcoms" (Rutgers University Press, 2019)
-
Shannon McRae (State University of New York at Fredonia)
J. R. Jordan, Robert Wise—The Motion Pictures (Bear Manor Media, 2020)
-
Devapriya Sanyal (N/A)
M.K. Raghavendra, "Locating World Cinema: Interpretations of Film as Culture" (Bloomsbury Academic India, 2020)
-
Serkan Şavk (Izmir University of Economics)
Gönül Dönmez-Colin, "Women in the Cinemas of Iran and Turkey: As Images and as Image-Makers" (Routledge, 2020)
-
Jihoon Kim (Chung-ang University)
Data Visualizations, Vlogs, Drone Imagery: Expanded Documentary Forms in the COVID-19 Emergency
-
Ayesha Ahmed (N/A)
The Smile in "Son of Saul": A Test of Différance
-
Peter Gardner (N/A), Barbara Foley (Rutgers University-Newark)
Between the Fasces and the Cross: Politics and History in Federico Fellini's "La Strada"
-
Kathy Vanhout (University of Antwerp)
Offstage absorption: on John Cassavetes' "Opening Night" (1977)
-
Henry Rownd (N/A)
PANNING (and SCANNING) "SKIDOO" (1968): Watching TV on Otto Preminger's Widescreen
-
Marc Raymond (Kwangwoon University)
Beyond the Auteur: South Korea's Domestic Independents as National Cinema
-
Joy McEntee (University of Adelaide)
Vigilantism and the Law in "Three Billboards Outside Ebbing, Missouri"
-
Eli Boonin-Vail (University of Pittsburgh)
Visible Stripes: Reenacting Trauma in Hollywood's Carceral Aesthetics
Volume 45 • Issue 1 • 2021
Feature Article
Vigilantism and the Law in "Three Billboards Outside Ebbing, Missouri"
Joy McEntee
2021-10-15 Volume 45 • Issue 1 • 2021
Beyond the Auteur: South Korea's Domestic Independents as National Cinema
Marc Raymond
2021-10-15 Volume 45 • Issue 1 • 2021
Visible Stripes: Reenacting Trauma in Hollywood's Carceral Aesthetics
Eli Boonin-Vail
2021-10-15 Volume 45 • Issue 1 • 2021
PANNING (and SCANNING) "SKIDOO" (1968): Watching TV on Otto Preminger's Widescreen
Henry Rownd
2021-10-15 Volume 45 • Issue 1 • 2021
Offstage absorption: on John Cassavetes' "Opening Night" (1977)
Kathy Vanhout
2021-10-15 Volume 45 • Issue 1 • 2021
Between the Fasces and the Cross: Politics and History in Federico Fellini's "La Strada"
Peter Gardner and Barbara Foley
2021-10-15 Volume 45 • Issue 1 • 2021
Data Visualizations, Vlogs, Drone Imagery: Expanded Documentary Forms in the COVID-19 Emergency
Jihoon Kim
2021-10-15 Volume 45 • Issue 1 • 2021
Book Review
Gönül Dönmez-Colin, "Women in the Cinemas of Iran and Turkey: As Images and as Image-Makers" (Routledge, 2020)
Serkan Şavk
2021-10-15 Volume 45 • Issue 1 • 2021
M.K. Raghavendra, "Locating World Cinema: Interpretations of Film as Culture" (Bloomsbury Academic India, 2020)
Devapriya Sanyal
2021-10-15 Volume 45 • Issue 1 • 2021
J. R. Jordan, Robert Wise—The Motion Pictures (Bear Manor Media, 2020)
Shannon McRae
2021-10-15 Volume 45 • Issue 1 • 2021
Alice Leppert, "TV Family Values: Gender, Domestic Labor, and 1980s Sitcoms" (Rutgers University Press, 2019)
Emily Chivers Yochim
2021-10-15 Volume 45 • Issue 1 • 2021
Film Festival Review
New Forms: The Currents Program at the 2020 New Film Festival
Daniel Gómez Steinhart
2021-10-15 Volume 45 • Issue 1 • 2021