About
Film Criticism is a peer-reviewed, online publication bringing together scholarship in
the field of cinema and media studies since 1975.
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Sheri Chinen Biesen (Rowan University)
Nostalgia, Remembrance and Crises in an Evolving Streaming Media Industry
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Doyle Greene (N/A)
A United Korea (Or, the Great Divide): Crash Landing on You
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Marc Raymond (Kwangwoon University)
Festival Aesthetics Amidst Festival Politics
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Scott Richmond (University of Toronto)
Sex and Technics: Sexual and Spatial Orientations in Ma vraie vie à Rouen
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Eugenie Brinkema (Massachusetts Institute of Technology)
Not Done Being Over: Death and the Trouble with Understatement
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Kristen Whissel (University of California, Berkeley)
Tales of Downward Mobility: Life of Pi and Virtual Camera Movement in Liquid Modernity
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Adam Charles Hart
The Flying Spirit of Movement within These Solid Objects: Marie Menken’s Home Movies
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Ariel Rogers (Northwestern University)
Camera Movement in VR: Spatial Mediation, User Positioning, and a Virtual Dinner Party
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Ryan Pierson (University of Calgary)
The Camera Is a Printer: Manufactured Horizon as Expanded Consciousness in Adam Beckett’s Dear Janice
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Daniel Morgan (University of Chicago), Jordan Schonig (Texas Christian University)
Introduction: Camera Movement and the Necessity of Criticism
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Patrick Keating (Trinity University)
The Watch and the Sparkler: Time and Movement in Long Day’s Journey into Night (2018)
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Gerd Gemünden (Dartmouth College)
How to De-Program a Festival? The 73rd Berlinale
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M Sellers Johnson (Victoria University of Wellington)
Caetlin Benson-Allott, The Stuff of Spectatorship: Material Cultures of Film and Television
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Jonathan Chan
“Let’s Go Home!:” Representing Space and Time through Travel and Photographs in “Zainichi” Cinema
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Richard Knox Robinson
“From The Kallikaks to The Kallikaks: Hillbilly Elegy and the Legacy of Eugenics”
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Cassie Pontone (University of Illinois at Urbana-Champaign)
Suzanne Ferriss, The Cinema of Sofia Coppola: Fashion, Culture, Celebrity
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Constantine Verevis (Monash University)
John G. Hanhardt, The Films of Andy Warhol Catalogue Raisonné, Volume 2: 1963–1965
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Nikolas Matovinovic (Monash University)
“It’s All in the Reflexes”: John Carpenter’s Big Trouble in Little China as a Hawksian Comedy
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Martha Nochimson
Anne Jerslev, David Lynch: Blurred Boundaries
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Niels Niessen (Radboud University, Nijmegen, The Netherlands)
Forget the Red Pill: Queer Politics but also Transhumanist Ideology in The Matrix
Volume 47 • Issue 1 • 2023
Feature Article
Introduction: Camera Movement and the Necessity of Criticism
Daniel Morgan and Jordan Schonig
2023-10-31 Volume 47 • Issue 1 • 2023
The Flying Spirit of Movement within These Solid Objects: Marie Menken’s Home Movies
Adam Charles Hart
2023-10-31 Volume 47 • Issue 1 • 2023
The Camera Is a Printer: Manufactured Horizon as Expanded Consciousness in Adam Beckett’s Dear Janice
Ryan Pierson
2023-10-31 Volume 47 • Issue 1 • 2023
Camera Movement in VR: Spatial Mediation, User Positioning, and a Virtual Dinner Party
Ariel Rogers
2023-10-31 Volume 47 • Issue 1 • 2023
Sex and Technics: Sexual and Spatial Orientations in Ma vraie vie à Rouen
Scott Richmond
2023-10-31 Volume 47 • Issue 1 • 2023
The Watch and the Sparkler: Time and Movement in Long Day’s Journey into Night (2018)
Patrick Keating
2023-10-31 Volume 47 • Issue 1 • 2023
Tales of Downward Mobility: Life of Pi and Virtual Camera Movement in Liquid Modernity
Kristen Whissel
2023-10-31 Volume 47 • Issue 1 • 2023
Not Done Being Over: Death and the Trouble with Understatement
Eugenie Brinkema
2023-10-31 Volume 47 • Issue 1 • 2023
Film & TV Review
Nostalgia, Remembrance and Crises in an Evolving Streaming Media Industry
Sheri Chinen Biesen
2023-11-28 Volume 47 • Issue 1 • 2023
A United Korea (Or, the Great Divide): Crash Landing on You
Doyle Greene
2023-11-28 Volume 47 • Issue 1 • 2023