About
Film Criticism is a peer-reviewed, online publication bringing together scholarship in
the field of cinema and media studies since 1975.
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Stephanie Oliver (University of Texas at Dallas)
Ariel Rogers, On the Screen: Displaying the Moving Image, 1926-1942 (Columbia University Press, 2019)
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Daniel Moore (New York University)
Gerald Sim, Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability (Amsterdam University Press)
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Pascal M. Cicchetti (n/a)
Of People and Giants: The 74° Locarno Film Festival
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Ruoyi Bian (University of Illinois at Urbana-Champaign)
Daisuke Miyao, Japonisme and the Birth of Cinema (Duke University Press, 2020)
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Joy McEntee (University of Adelaide)
The Tethered Shadow: Jordan Peele and Stanley Kubrick
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David T Johnson (Salisbury University)
From Silence to Story, through Listening and Healing: Following the Cinematic Arc of the Returning Combat Veteran in The Yellow Birds
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Russell Banfield (Birkbeck, University of London)
Freewheeling Through Film History: The Green Fog and the Vertigo of Time
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Zachariah Anderson (University of Wisconsin-Milwaukee)
Necessarily Problematic: Archival Looking in Arthur Jafa’s 'Love Is The Message, The Message Is Death'
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Simone Hine (n/a)
The Sound of Glass Shattering: From the Modern Cityscape of Playtime to the Virtual Office of 2020
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Mohammad Mehdi Kimiagari (Brown University)
The Frames That Unframe: Abbas Kiarostami’s Method of Decreation in 24 Frames
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Stephen Groening (University of Washington)
Virtuous Viewing
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Josh Heaps (University of North Carolina at Chapel Hill)
Donna Kornhaber, Nightmares in the Dream Sanctuary: War and the Animated Film (The University of Chicago Press, 2020)
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Sierra Komar (n/a)
High-Rise Visions: Surveillance, Architecture, and the Lacanian Gaze in Andrea Arnold’s Red Road
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Gerd Gemünden (Dartmouth College)
Trotz alledem: The 72nd Berlin Film Festival
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Landon Palmer (University of Alabama)
MTV Video Stardom as Media Power: Madonna’s (Moving) Image Control
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Kathy Vanhout (University of Antwerp)
Offstage absorption: on John Cassavetes' "Opening Night" (1977)
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Joy McEntee (University of Adelaide)
Vigilantism and the Law in "Three Billboards Outside Ebbing, Missouri"
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Eli Boonin-Vail (University of Pittsburgh)
Visible Stripes: Reenacting Trauma in Hollywood's Carceral Aesthetics
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Marc Raymond (Kwangwoon University)
Beyond the Auteur: South Korea's Domestic Independents as National Cinema
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Doyle Greene
"Blinded by the Light" and Rock Tradition
Volume 46 • Issue 1 • 2022
Feature Article
Necessarily Problematic: Archival Looking in Arthur Jafa’s 'Love Is The Message, The Message Is Death'
Zachariah Anderson
2022-06-22 Volume 46 • Issue 1 • 2022
Freewheeling Through Film History: The Green Fog and the Vertigo of Time
Russell Banfield
2022-06-22 Volume 46 • Issue 1 • 2022
The Sound of Glass Shattering: From the Modern Cityscape of Playtime to the Virtual Office of 2020
Simone Hine
2022-06-22 Volume 46 • Issue 1 • 2022
From Silence to Story, through Listening and Healing: Following the Cinematic Arc of the Returning Combat Veteran in The Yellow Birds
David T Johnson
2022-06-22 Volume 46 • Issue 1 • 2022
The Frames That Unframe: Abbas Kiarostami’s Method of Decreation in 24 Frames
Mohammad Mehdi Kimiagari
2022-06-22 Volume 46 • Issue 1 • 2022
High-Rise Visions: Surveillance, Architecture, and the Lacanian Gaze in Andrea Arnold’s Red Road
Sierra Komar
2022-06-22 Volume 46 • Issue 1 • 2022
The Tethered Shadow: Jordan Peele and Stanley Kubrick
Joy McEntee
2022-06-22 Volume 46 • Issue 1 • 2022
Book Review
Daisuke Miyao, Japonisme and the Birth of Cinema (Duke University Press, 2020)
Ruoyi Bian
2022-06-22 Volume 46 • Issue 1 • 2022
Donna Kornhaber, Nightmares in the Dream Sanctuary: War and the Animated Film (The University of Chicago Press, 2020)
Josh Heaps
2022-06-22 Volume 46 • Issue 1 • 2022
Gerald Sim, Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability (Amsterdam University Press)
Daniel Moore
2022-06-22 Volume 46 • Issue 1 • 2022
Ariel Rogers, On the Screen: Displaying the Moving Image, 1926-1942 (Columbia University Press, 2019)
Stephanie Oliver
2022-06-22 Volume 46 • Issue 1 • 2022