About
Film Criticism is a peer-reviewed, online publication bringing together scholarship in
the field of cinema and media studies since 1975.
-
Niels Niessen (Radboud University, Nijmegen, The Netherlands)
Forget the Red Pill: Queer Politics but also Transhumanist Ideology in The Matrix
-
Cassie Pontone (University of Illinois at Urbana-Champaign)
Suzanne Ferriss, The Cinema of Sofia Coppola: Fashion, Culture, Celebrity
-
Nikolas Matovinovic (Monash University)
“It’s All in the Reflexes”: John Carpenter’s Big Trouble in Little China as a Hawksian Comedy
-
Richard Knox Robinson
“From The Kallikaks to The Kallikaks: Hillbilly Elegy and the Legacy of Eugenics”
-
M Sellers Johnson (Victoria University of Wellington)
Caetlin Benson-Allott, The Stuff of Spectatorship: Material Cultures of Film and Television
-
Martha Nochimson
Anne Jerslev, David Lynch: Blurred Boundaries
-
Constantine Verevis (Monash University)
John G. Hanhardt, The Films of Andy Warhol Catalogue Raisonné, Volume 2: 1963–1965
-
Jonathan Chan
“Let’s Go Home!:” Representing Space and Time through Travel and Photographs in “Zainichi” Cinema
-
Pascal M. Cicchetti (n/a)
Of People and Giants: The 74° Locarno Film Festival
-
Stephanie Oliver (University of Texas at Dallas)
Ariel Rogers, On the Screen: Displaying the Moving Image, 1926-1942 (Columbia University Press, 2019)
-
Daniel Moore (New York University)
Gerald Sim, Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability (Amsterdam University Press)
-
Ruoyi Bian (University of Illinois at Urbana-Champaign)
Daisuke Miyao, Japonisme and the Birth of Cinema (Duke University Press, 2020)
-
Joy McEntee (University of Adelaide)
The Tethered Shadow: Jordan Peele and Stanley Kubrick
-
Simone Hine
The Sound of Glass Shattering: From the Modern Cityscape of Playtime to the Virtual Office of 2020
-
David T Johnson (Salisbury University)
From Silence to Story, through Listening and Healing: Following the Cinematic Arc of the Returning Combat Veteran in The Yellow Birds
-
Russell Banfield (Birkbeck, University of London)
Freewheeling Through Film History: The Green Fog and the Vertigo of Time
-
Sierra Komar (n/a)
High-Rise Visions: Surveillance, Architecture, and the Lacanian Gaze in Andrea Arnold’s Red Road
-
Mohammad Mehdi Kimiagari (Brown University)
The Frames That Unframe: Abbas Kiarostami’s Method of Decreation in 24 Frames
-
Zachariah Anderson (University of Wisconsin-Milwaukee)
Necessarily Problematic: Archival Looking in Arthur Jafa’s 'Love Is The Message, The Message Is Death'
-
Stephen Groening (University of Washington)
Virtuous Viewing
Volume 46 • Issue 2 • 2022
Feature Article
Forget the Red Pill: Queer Politics but also Transhumanist Ideology in The Matrix
Niels Niessen
2022-12-15 Volume 46 • Issue 2 • 2022
“It’s All in the Reflexes”: John Carpenter’s Big Trouble in Little China as a Hawksian Comedy
Nikolas Matovinovic
2022-12-15 Volume 46 • Issue 2 • 2022
“From The Kallikaks to The Kallikaks: Hillbilly Elegy and the Legacy of Eugenics”
Richard Knox Robinson
2022-12-15 Volume 46 • Issue 2 • 2022
“Let’s Go Home!:” Representing Space and Time through Travel and Photographs in “Zainichi” Cinema
Jonathan Chan
2022-12-15 Volume 46 • Issue 2 • 2022
Book Review
Anne Jerslev, David Lynch: Blurred Boundaries
Martha Nochimson
2022-12-15 Volume 46 • Issue 2 • 2022
Suzanne Ferriss, The Cinema of Sofia Coppola: Fashion, Culture, Celebrity
Cassie Pontone
2022-12-15 Volume 46 • Issue 2 • 2022