About
Film Criticism is a peer-reviewed, online publication bringing together scholarship in
the field of cinema and media studies since 1975.
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Gerd Gemünden (Dartmouth College)
How to De-Program a Festival? The 73rd Berlinale
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Niels Niessen (Radboud University, Nijmegen, The Netherlands)
Forget the Red Pill: Queer Politics but also Transhumanist Ideology in The Matrix
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Martha Nochimson
Anne Jerslev, David Lynch: Blurred Boundaries
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Cassie Pontone (University of Illinois at Urbana-Champaign)
Suzanne Ferriss, The Cinema of Sofia Coppola: Fashion, Culture, Celebrity
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Constantine Verevis (Monash University)
John G. Hanhardt, The Films of Andy Warhol Catalogue Raisonné, Volume 2: 1963–1965
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Jonathan Chan
“Let’s Go Home!:” Representing Space and Time through Travel and Photographs in “Zainichi” Cinema
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M Sellers Johnson (Victoria University of Wellington)
Caetlin Benson-Allott, The Stuff of Spectatorship: Material Cultures of Film and Television
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Richard Knox Robinson
“From The Kallikaks to The Kallikaks: Hillbilly Elegy and the Legacy of Eugenics”
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Nikolas Matovinovic (Monash University)
“It’s All in the Reflexes”: John Carpenter’s Big Trouble in Little China as a Hawksian Comedy
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Stephanie Oliver (University of Texas at Dallas)
Ariel Rogers, On the Screen: Displaying the Moving Image, 1926-1942 (Columbia University Press, 2019)
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Daniel Moore (New York University)
Gerald Sim, Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability (Amsterdam University Press)
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Pascal M. Cicchetti (n/a)
Of People and Giants: The 74° Locarno Film Festival
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Ruoyi Bian (University of Illinois at Urbana-Champaign)
Daisuke Miyao, Japonisme and the Birth of Cinema (Duke University Press, 2020)
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Joy McEntee (University of Adelaide)
The Tethered Shadow: Jordan Peele and Stanley Kubrick
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Stephen Groening (University of Washington)
Virtuous Viewing
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Zachariah Anderson (University of Wisconsin-Milwaukee)
Necessarily Problematic: Archival Looking in Arthur Jafa’s 'Love Is The Message, The Message Is Death'
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Sierra Komar (n/a)
High-Rise Visions: Surveillance, Architecture, and the Lacanian Gaze in Andrea Arnold’s Red Road
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Simone Hine
The Sound of Glass Shattering: From the Modern Cityscape of Playtime to the Virtual Office of 2020
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Josh Heaps (University of North Carolina at Chapel Hill)
Donna Kornhaber, Nightmares in the Dream Sanctuary: War and the Animated Film (The University of Chicago Press, 2020)
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David T Johnson (Salisbury University)
From Silence to Story, through Listening and Healing: Following the Cinematic Arc of the Returning Combat Veteran in The Yellow Birds
Volume 46 • Issue 2 • 2022
Feature Article
Forget the Red Pill: Queer Politics but also Transhumanist Ideology in The Matrix
Niels Niessen
2022-12-14 Volume 46 • Issue 2 • 2022
“It’s All in the Reflexes”: John Carpenter’s Big Trouble in Little China as a Hawksian Comedy
Nikolas Matovinovic
2022-12-14 Volume 46 • Issue 2 • 2022
“From The Kallikaks to The Kallikaks: Hillbilly Elegy and the Legacy of Eugenics”
Richard Knox Robinson
2022-12-14 Volume 46 • Issue 2 • 2022
“Let’s Go Home!:” Representing Space and Time through Travel and Photographs in “Zainichi” Cinema
Jonathan Chan
2022-12-14 Volume 46 • Issue 2 • 2022
Book Review
Anne Jerslev, David Lynch: Blurred Boundaries
Martha Nochimson
2022-12-14 Volume 46 • Issue 2 • 2022
Suzanne Ferriss, The Cinema of Sofia Coppola: Fashion, Culture, Celebrity
Cassie Pontone
2022-12-14 Volume 46 • Issue 2 • 2022
John G. Hanhardt, The Films of Andy Warhol Catalogue Raisonné, Volume 2: 1963–1965
Constantine Verevis
2022-12-14 Volume 46 • Issue 2 • 2022
Caetlin Benson-Allott, The Stuff of Spectatorship: Material Cultures of Film and Television
M Sellers Johnson
2022-12-14 Volume 46 • Issue 2 • 2022