Volume 45 • Issue 1 • 2021
Feature Article
Vigilantism and the Law in "Three Billboards Outside Ebbing, Missouri"
Joy McEntee
2021-10-14 Volume 45 • Issue 1 • 2021
Beyond the Auteur: South Korea's Domestic Independents as National Cinema
Marc Raymond
2021-10-14 Volume 45 • Issue 1 • 2021
Visible Stripes: Reenacting Trauma in Hollywood's Carceral Aesthetics
Eli Boonin-Vail
2021-10-14 Volume 45 • Issue 1 • 2021
PANNING (and SCANNING) SKIDOO (1968): Watching TV on Otto Preminger's Widescreen
Henry Rownd
2021-10-14 Volume 45 • Issue 1 • 2021
Offstage absorption: on John Cassavetes' "Opening Night" (1977)
Kathy Vanhout
2021-10-14 Volume 45 • Issue 1 • 2021
Between the Fasces and the Cross: Politics and History in Federico Fellini's "La Strada"
Peter Gardner and Barbara Foley
2021-10-14 Volume 45 • Issue 1 • 2021
Data Visualizations, Vlogs, Drone Imagery: Expanded Documentary Forms in the COVID-19 Emergency
Jihoon Kim
2021-10-14 Volume 45 • Issue 1 • 2021
Book Review
Gönül Dönmez-Colin, "Women in the Cinemas of Iran and Turkey: As Images and as Image-Makers" (Routledge, 2020)
Serkan Şavk
2021-10-14 Volume 45 • Issue 1 • 2021
M.K. Raghavendra, "Locating World Cinema: Interpretations of Film as Culture" (Bloomsbury Academic India, 2020)
Devapriya Sanyal
2021-10-14 Volume 45 • Issue 1 • 2021
J. R. Jordan, Robert Wise—The Motion Pictures (Bear Manor Media, 2020)
Shannon McRae
2021-10-14 Volume 45 • Issue 1 • 2021
Alice Leppert, "TV Family Values: Gender, Domestic Labor, and 1980s Sitcoms" (Rutgers University Press, 2019)
Emily Chivers Yochim
2021-10-14 Volume 45 • Issue 1 • 2021
Film Festival Review
New Forms: The Currents Program at the 2020 New Film Festival
Daniel Gómez Steinhart
2021-10-14 Volume 45 • Issue 1 • 2021
Editors' Contribution
Blues, Smoke and Shadows: Jazz in 'Musical' Noir Films
Sheri Chinen Biesen
2021-10-14 Volume 45 • Issue 1 • 2021