Volume 47 • Issue 1 • 2023
Feature Articles
Introduction: Camera Movement and the Necessity of Criticism
Daniel Morgan and Jordan Schonig
2023-11-01 Volume 47 • Issue 1 • 2023
The Flying Spirit of Movement within These Solid Objects: Marie Menken’s Home Movies
Adam Charles Hart
2023-11-01 Volume 47 • Issue 1 • 2023
The Camera Is a Printer: Manufactured Horizon as Expanded Consciousness in Adam Beckett’s Dear Janice
Ryan Pierson
2023-11-01 Volume 47 • Issue 1 • 2023
Camera Movement in VR: Spatial Mediation, User Positioning, and a Virtual Dinner Party
Ariel Rogers
2023-11-01 Volume 47 • Issue 1 • 2023
Sex and Technics: Sexual and Spatial Orientations in Ma vraie vie à Rouen
Scott Richmond
2023-11-01 Volume 47 • Issue 1 • 2023
The Watch and the Sparkler: Time and Movement in Long Day’s Journey into Night (2018)
Patrick Keating
2023-11-01 Volume 47 • Issue 1 • 2023
Tales of Downward Mobility: Life of Pi and Virtual Camera Movement in Liquid Modernity
Kristen Whissel
2023-11-01 Volume 47 • Issue 1 • 2023
Not Done Being Over: Death and the Trouble with Understatement
Eugenie Brinkema
2023-11-01 Volume 47 • Issue 1 • 2023
Film & TV Reviews
Nostalgia, Remembrance and Crises in an Evolving Streaming Media Industry
Sheri Chinen Biesen
2023-11-29 Volume 47 • Issue 1 • 2023
A United Korea (Or, the Great Divide): Crash Landing on You
Doyle Greene
2023-11-29 Volume 47 • Issue 1 • 2023