Volume 48 • Issue 1 • 2024
Feature Articles
Warwick Thornton’s Emotional Landscapes: Indigenous Cinema and Cultural Autonomy in Australia
Wyatt Moss-Wellington
2024-04-04 Volume 48 • Issue 1 • 2024
“To Become a Devil”: Special Effects, Magic Tricks, and the Technological Image in Faust
Amanda Shubert
2024-04-04 Volume 48 • Issue 1 • 2024
Fast Zombies and Social Rights: The Case of Umberto Lenzi’s Nightmare City (1980)
Alberto Iozzia
2024-04-04 Volume 48 • Issue 1 • 2024
Neo-Imperial Island Fantasy in Contemporary French Reality TV: The Case of Koh-Lanta
Marie Bellec
2024-04-04 Volume 48 • Issue 1 • 2024
Transforming Cultural Memory: Inglourious Basterds (2009)
Baran Tekay
2024-04-04 Volume 48 • Issue 1 • 2024
The Guilty Spectator: Sexuality, Age, Crime and Dario Argento’s Deep Red (1975)
Jim Carter
2024-04-04 Volume 48 • Issue 1 • 2024