Volume 9 • Issue 1 • 2022
Article
Britain’s Got Talent? A Critique of the “Talent Pipeline” Crisis in the UK’s Film and Television Industries
Richard Wallis and Christa van Raalte
2022-08-23 Volume 9 • Issue 1 • 2022
Autonomy and Independence in Screen Production under State Subsidy: Tracing Kennedy Miller Mitchell’s Negotiated Dependencies with Australian Governments
James Douglas
2022-08-23 Volume 9 • Issue 1 • 2022
An Iranian Videogame Industry? Localizing Videogame Production Beyond The “Global” Videogame Industry
Mahsuum Daiiani and Brendan Keogh
2022-08-23 Volume 9 • Issue 1 • 2022
The Screen Advertising Production Industry: SIC Codes and Screen Industries Mapping
Emily Caston
2022-08-23 Volume 9 • Issue 1 • 2022
The Case of Deutschland 83: Global Internet-Distributed Television and its Effects on Local Viewing Behavior and Industry Practices
Kristina Brüning
2022-08-23 Volume 9 • Issue 1 • 2022
When a Subculture Goes Pop: Platforms, Mavericks, and Capital in the Production of “Boys’ Love” Web Series in China
Sheng Zou
2022-08-23 Volume 9 • Issue 1 • 2022
Book Review
Book Review: Milne, Esther. Email and the Everyday: Stories of Disclosure, Trust, and Digital Labor (Cambridge: MIT Press, 2021.)
James N. Gilmore
2022-08-23 Volume 9 • Issue 1 • 2022
Book Review: Marzola, Luci. Engineering Hollywood: Technology, Technicians, and the Science of Building the Studio System (Oxford: Oxford University Press, 2021.)
Casey Walker
2022-08-23 Volume 9 • Issue 1 • 2022
Book Review: McClearen, Jennifer. Fighting Visibility: Sports Media and Female Athletes in the UFC (Champaign, IL: University of Illinois Press, 2021.)
Maggie Brooks
2022-08-23 Volume 9 • Issue 1 • 2022
Book Review: Martin, Alfred L., Jr. The Generic Closet: Black Gayness and the Black-Cast Sitcom (Bloomington: Indiana University Press, 2021.)
Lauren E. Wilks
2022-08-23 Volume 9 • Issue 1 • 2022