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<journal-id journal-id-type="publisher">mp</journal-id>
<journal-title-group>
<journal-title>Music and Politics</journal-title>
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<issn pub-type="epub"></issn>
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<article-meta>
<article-id pub-id-type="publisher-id">10631</article-id>
<article-id pub-id-type="manuscript">mp-20-recent-books.docx</article-id>
<article-id pub-id-type="doi">10.3998/mp.10631</article-id>
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<article-title>Recent Books on Music and Politics</article-title>
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<contrib-group>
<contrib contrib-type="author">
<contrib-id contrib-id-type="orcid">0009-0008-3357-0516</contrib-id>
<name>
<surname>Gibson</surname>
<given-names>Angelina</given-names>
</name>
<email>ahgibson@umich.edu</email>
<aff id="aff1"><institution>University of Michigan</institution> <institution content-type="dept">Musicology</institution></aff>
<xref ref-type="bio" rid="bio1"/>
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<pub-date><day></day><month></month><year></year></pub-date>
<volume>20</volume><issue>1</issue>
<issue-title></issue-title>
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<date date-type="accepted"><day></day><month></month><year></year></date></history><permissions>
<license><license-p>CC BY-NC-ND 4.0</license-p></license>
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<p>The books listed in this column address music as it relates to political expression or focus on power relationships between individual musicians or musical communities and a governing authority. Readers are welcome to submit additional titles to musicandpolitics@umich.edu for possible inclusion in the next issue.</p>
</body>
<back>
<bio id="bio1"><p><bold>Angelina Gibson</bold> is a historical musicology PhD student at the University of Michigan with research interests in Orientalism in classical music and ballet, as well as Asian American choreographers, dancers, and musicians. Her work has been presented at the Association for Asian American Studies, Society for Ethnomusicology, American Musicological Society Midwest, International Council for Traditions of Music and Dance, and International Clarinet Association. She has been the Assistant Editor for <italic>Music &amp; Politics</italic> since 2024 and currently serves as a co-chair of the AMS Music and Dance Study Group.</p></bio>
<ref-list>
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<ref id="R2"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Alonso</surname>, <given-names>Diego</given-names></string-name>, and <string-name><given-names>Michael</given-names> <surname>Christoforidis</surname></string-name></person-group>, eds. <source>Music, Propaganda, and the Spanish Civil War: International Encounters with a Divided Nation</source>. <publisher-name>Oxford University Press</publisher-name>, <year>2026</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.1093/9780197760703.001.0001">https://doi.org/10.1093/9780197760703.001.0001</ext-link>.</mixed-citation></ref>
<ref id="R3"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Anderton</surname>, <given-names>Abby</given-names></string-name></person-group>. <source>Audible Testimonies: Surviving the Third Reich in Music and Media</source>. <publisher-name>Oxford University Press</publisher-name>, <year>2026</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.1093/9780197811238.001.0001">https://doi.org/10.1093/9780197811238.001.0001</ext-link>.</mixed-citation></ref>
<ref id="R4"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Ansari</surname>, <given-names>Emily Abrams</given-names></string-name>, <string-name><given-names>Daniel F.</given-names> <surname>Boomhower</surname></string-name>, and <string-name><given-names>Michael Sy</given-names> <surname>Uy</surname></string-name></person-group>, eds. <source>Music Capital: Sound and Power in Washington, D.C.</source> <publisher-name>Harvard University Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R5"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Attfield</surname>, <given-names>Nicholas</given-names></string-name>, and <string-name><given-names>Ben</given-names> <surname>Earle</surname></string-name></person-group>, eds. <source>The Cambridge Companion to Music and Fascism</source>. <publisher-name>Cambridge University Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R6"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Barson</surname>, <given-names>Benjamin</given-names></string-name></person-group>. <source>Brassroots Democracy: Maroon Ecologies and the Jazz Commons</source>. <publisher-name>Wesleyan University Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R7"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Benoit-Otis</surname>, <given-names>Marie-H&#x00E9;l&#x00E8;ne</given-names></string-name>, and <string-name><given-names>C&#x00E9;cile</given-names> <surname>Quesney</surname></string-name></person-group>. <source>The Mozart Week of the German Reich: Nazi Propaganda and Franco-German Relations in 1941</source>. Translated by <person-group person-group-type="translator"><string-name><given-names>Stacey</given-names> <surname>Brown</surname></string-name></person-group>. <publisher-name>University of Rochester Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R8"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Berish</surname>, <given-names>Andrew S.</given-names></string-name></person-group> <source>Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse</source>. <publisher-name>University of Chicago Press</publisher-name>, <year>2025</year>.</mixed-citation></ref>
<ref id="R8a"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Calori</surname>, <given-names>Anna</given-names></string-name></person-group>. <source>Engineering Global Socialism: Ownership, Non-Alignment, and Corporate Culture in a Bosnian Company.</source> <publisher-name>Indiana University Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R9"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Caplan</surname>, <given-names>Lucy</given-names></string-name></person-group>. <source>Dreaming in Ensemble: How Black Artists Transformed American Opera.</source> <publisher-name>Harvard University Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.2307/jj.21028831">https://doi.org/10.2307/jj.21028831</ext-link>.</mixed-citation></ref>
<ref id="R10"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Downes</surname>, <given-names>Stephen</given-names></string-name>, and <string-name><given-names>Daniel</given-names> <surname>Elphick</surname></string-name></person-group>, eds. <source>Constructing Polish Musical Identities Outside Poland Since 1880</source>. <publisher-name>Boydell Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R11"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Erman</surname>, <given-names>Uri</given-names></string-name></person-group>. <source>Voicing Britannia: Opera, Gender, and Jews, 1760&#x2013;1830</source>. <publisher-name>Oxford University Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R12"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Fairchild</surname>, <given-names>Charles</given-names></string-name></person-group>. <source>The Capitalist Imaginaries of Popular Music</source>. <publisher-name>University of Chicago Press</publisher-name>, <year>2025</year>.</mixed-citation></ref>
<ref id="R13"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Fossum</surname>, <given-names>Dave</given-names></string-name></person-group>. <source>Copyright Consciousness: Musical Creativity and Intellectual Property in Turkey</source>. <publisher-name>Wesleyan University Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.1353/book.125816">https://doi.org/10.1353/book.125816</ext-link>.</mixed-citation></ref>
<ref id="R14"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Gall</surname>, <given-names>Gregor</given-names></string-name></person-group>. <source>The Punk Rock Politics of Joe Strummer: Radicalism, Resistance, and Rebellion</source>. <publisher-name>Manchester University Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R15"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Gennari</surname>, <given-names>John</given-names></string-name></person-group>. <source>The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life.</source> <publisher-name>University of Chicago Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.2307/jj.38778277">https://doi.org/10.2307/jj.38778277</ext-link>.</mixed-citation></ref>
<ref id="R16"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Gregor</surname>, <given-names>Neil</given-names></string-name></person-group>. <source>The Symphony Concert in Nazi Germany</source>. <publisher-name>University of Chicago Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.7208/chicago/9780226839110.001.0001">https://doi.org/10.7208/chicago/9780226839110.001.0001</ext-link>.</mixed-citation></ref>
<ref id="R17"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Hambridge</surname>, <given-names>Katherine</given-names></string-name></person-group>. <source>Performing Politics: Music and Theater in Berlin Around 1800</source>. <publisher-name>University of Chicago Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R18"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Hodgson</surname>, <given-names>Thomas</given-names></string-name></person-group>. <source>Journeys of Love: Kashmiris, Music, and the Poetics of Migration</source>. <publisher-name>University of Chicago Press</publisher-name>, <year>2025</year>.</mixed-citation></ref>
<ref id="R19"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Hofman</surname>, <given-names>Ana</given-names></string-name></person-group>. <source>Socialism Now: Singing Activism After Yugoslavia</source>. <publisher-name>Oxford University Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.1093/oso/9780197576274.001.0001">https://doi.org/10.1093/oso/9780197576274.001.0001</ext-link>.</mixed-citation></ref>
<ref id="R20"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Inglese</surname>, <given-names>Francesca</given-names></string-name></person-group>. <source>Remixing Race After Apartheid: Kaapse Klopse in South Africa</source>. <publisher-name>Wesleyan University Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R21"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Kapusta</surname>, <given-names>John</given-names></string-name></person-group>. <source>Self-Realization Nation: How Artists of the Creative Counterculture Made a New America</source>. <publisher-name>University of California Press</publisher-name>, <year>2026</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.1525/9780520427303">https://doi.org/10.1525/9780520427303</ext-link>.</mixed-citation></ref>
<ref id="R22"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Kennedy</surname>, <given-names>Laura E.</given-names></string-name></person-group> <source>Shostakovich&#x2019;s Ballets and the Search for Soviet Dance</source>. <publisher-name>Oxford University Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.1093/9780197698082.001.0001">https://doi.org/10.1093/9780197698082.001.0001</ext-link>.</mixed-citation></ref>
<ref id="R22a"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Krukowski</surname>, <given-names>Damon</given-names></string-name></person-group>. <source>Why Sound Matters</source>. <publisher-name>Yale University Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.12987/9780300285949">https://doi.org/10.12987/9780300285949</ext-link>.</mixed-citation></ref>
<ref id="R23"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Kurtz</surname>, <given-names>Esther Viola</given-names></string-name></person-group>. <source>A Beautiful Fight: The Racial Politics of Capoeira in Backland Bahia</source>. <publisher-name>University of Michigan Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.3998/mpub.12771665">https://doi.org/10.3998/mpub.12771665</ext-link>.</mixed-citation></ref>
<ref id="R24"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Llano</surname>, <given-names>Samuel</given-names></string-name></person-group>. <source>The Empire of the Ear: Music, Race, and the Sonic Architecture of Colonial Morocco</source>. <publisher-name>Oxford University Press</publisher-name>, <year>2026</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.1093/9780197628300.001.0001">https://doi.org/10.1093/9780197628300.001.0001</ext-link>.</mixed-citation></ref>
<ref id="R25"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Lorea</surname>, <given-names>Carola E.</given-names></string-name></person-group> <source>Communities of Sound: Religion, Displacement, and Caste in the Bay of Bengal</source>. <publisher-name>Wesleyan University Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R26"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Martinson</surname>, <given-names>Karen Jean</given-names></string-name></person-group>. <source>Make the Dream Real: World Building Performance by El Vez, the Mexican Elvis.</source> <publisher-name>University of Chicago Press</publisher-name>, <year>2025</year>.</mixed-citation></ref>
<ref id="R26a"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>McDonald</surname>, <given-names>David A.</given-names></string-name>, <string-name><given-names>Andrew</given-names> <surname>Snyder</surname></string-name>, and <string-name><given-names>Jeremy</given-names> <surname>Reed</surname></string-name></person-group>, eds. <source>Festival Activism</source>. <publisher-name>Indiana University Press</publisher-name>, <year>2025</year>.</mixed-citation></ref>
<ref id="R27"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Metzer</surname>, <given-names>David</given-names></string-name></person-group>. <source>Prison Song: Music and Incarceration in the United States</source>. <publisher-name>University of Michigan Press</publisher-name>, <year>2026</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.3998/mpub.12100134">https://doi.org/10.3998/mpub.12100134</ext-link>.</mixed-citation></ref>
<ref id="R28"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Morcom</surname>, <given-names>Anna</given-names></string-name></person-group>. <source>The Multiplicities of Hindustani Music: Re-envisioning a National Tradition</source>. <publisher-name>Oxford University Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R29"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Paige</surname>, <given-names>Kristen S.</given-names></string-name></person-group> <source>Richard Wagner&#x2019;s Political Ecology</source>. <publisher-name>University of Chicago Press</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R30"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Peck</surname>, <given-names>RaShelle R.</given-names></string-name></person-group> <source>Nairobi Hip Hop Flow: Diasporic Blackness and Embodied Performance in the Underground</source>. <publisher-name>University of California Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.1525/9780520386495">https://doi.org/10.1525/9780520386495</ext-link>.</mixed-citation></ref>
<ref id="R31"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Pierce</surname>, <given-names>J. Mackenzie</given-names></string-name></person-group>. <source>Sounds of Survival: Polish Music and the Holocaust</source>. <publisher-name>University of California Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.1525/9780520405936">https://doi.org/10.1525/9780520405936</ext-link>.</mixed-citation></ref>
<ref id="R32"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Pistorius</surname>, <given-names>Juliana M.</given-names></string-name></person-group> <source>Postcolonial Opera: William Kentridge and the Unbounded Work of Art</source>. <publisher-name>Oxford University Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.1093/oso/9780197749203.001.0001">https://doi.org/10.1093/oso/9780197749203.001.0001</ext-link>.</mixed-citation></ref>
<ref id="R33"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Pruitt</surname>, <given-names>Lesley</given-names></string-name>, and <string-name><given-names>Erica Rose</given-names> <surname>Jeffrey</surname></string-name></person-group>. <source>Dancing Through the Dissonance: Creative Movement and Peacebuilding</source>. <publisher-name>Manchester University Press</publisher-name>, <year>2025</year>.</mixed-citation></ref>
<ref id="R34"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Raine</surname>, <given-names>Sarah</given-names></string-name>, <string-name><given-names>Shane</given-names> <surname>Blackman</surname></string-name>, <string-name><given-names>Robert</given-names> <surname>McPherson</surname></string-name>, and <string-name><given-names>Iain A.</given-names> <surname>Taylor</surname></string-name></person-group>, eds. <source>Popular Music Ethnographies: Practices, Places, and Identity</source>. <publisher-name>Intellect Ltd.</publisher-name>, <year>2025</year>.</mixed-citation></ref>
<ref id="R35"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Ramstedt</surname>, <given-names>Kim</given-names></string-name>, <string-name><given-names>Susanna V&#x00E4;lim&#x00E4;ki, Sini</given-names> <surname>Mononen</surname></string-name>, and <string-name><given-names>Kaj</given-names> <surname>Ahlsved</surname></string-name></person-group>, eds. <source>Music, Research, and Activism: Prospects and Projects in Northern Europe</source>. <publisher-name>Intellect Ltd.</publisher-name>, <year>2025</year>.</mixed-citation></ref>
<ref id="R36"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Richardson</surname>, <given-names>Elaine B.</given-names></string-name>, <string-name><given-names>Gwendolyn D.</given-names> <surname>Pough</surname></string-name>, and <string-name><given-names>Treva B.</given-names> <surname>Lindsey</surname></string-name></person-group>, eds. <source>Hip Hop Studies and Queer Black Feminism</source>. <publisher-name>University of California Press</publisher-name>, <year>2026</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.2307/jj.38720051">https://doi.org/10.2307/jj.38720051</ext-link>.</mixed-citation></ref>
<ref id="R37"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Richerme</surname>, <given-names>Lauren K.</given-names></string-name></person-group> <source>Popular Music Will Not Save Us: Capitalism and Music Education</source>. <publisher-name>Indiana University Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.2979/18757.0">https://doi.org/10.2979/18757.0</ext-link>.</mixed-citation></ref>
<ref id="R38"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Saguar Garcia</surname>, <given-names>Amaranta</given-names></string-name></person-group>. <source>Medievalism, Popular Culture, and Politics in Metal Music: The Case of Hispanic Epic Themes</source>. <publisher-name>Intellect Ltd.</publisher-name>, <year>2026</year>.</mixed-citation></ref>
<ref id="R39"><mixed-citation publication-type="book"><person-group person-group-type="author"><string-name><surname>Santana</surname>, <given-names>M. Myrta Leslie</given-names></string-name></person-group>. <source>Transformismo: Performing Trans/Queer Cuba</source>. <publisher-name>University of Michigan Press</publisher-name>, <year>2025</year>. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" ext-link-type="doi" xlink:type="simple" xlink:href="https://doi.org/10.3998/mpub.12410823">https://doi.org/10.3998/mpub.12410823</ext-link>.</mixed-citation></ref>
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