Volume 16 • Issue 2 • Summer 2022
Article
Musical Testimonies of Terezín and the Possibilities of Contrapuntal Listening
Amy Lynn Wlodarski
2022-08-19 Volume 16 • Issue 2 • Summer 2022
Mixed Motives: Soviet Symphonies and Propagandistic Duplicity in The Iron Curtain (1948)
Nathan Platte
2022-08-19 Volume 16 • Issue 2 • Summer 2022
“You Don’t Belong in Nashville!”: Politics, Country Music, and the Reception of Robert Altman’s Nashville
Dan Blim
2022-08-19 Volume 16 • Issue 2 • Summer 2022
Prince Csaba, Lead Your People Once More: Hungarian Nationalist Rock and Performance of Place in Szekler Land
Jessica Vansteenberg
2022-08-19 Volume 16 • Issue 2 • Summer 2022