Speaking Nations, Edge Ways - Reviews of 'Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound and Stability' by Gerald Sim, Amsterdam University Press, 2020; and 'Southeast Asia...

Min Hui Yeo (University of Oxford)

Dazzling Revelations - Review of 'Negative Exposures: Knowing What Not to Know in Contemporary China' by Margaret Hillenbrand, Duke University Press, 2020

Harriet Evans (London School of Economics and Political Science)

Narrating New Normal: Graduate Student Symposium Report

Ruepert Jiel Dionisio Cao (Hong Kong Baptist University), Minos-Athanasios Karyotakis (Hong Kong Baptist University), Mistura Adebusola Salaudeen (Hong Kong Baptist University), Dongli Chen (Hong Kong Baptist University), Yanjing Wu (Hong Kong Baptist University)

Love and Duty: Translating Films and Teaching Online Through a Pandemic

Christopher Rea (University of British Columbia)

Superheroes: The Endgame - Review of Superhero Movies

Peter Biskind (N/A)

New from Netflix: 'Mank', Fincher, and A Hollywood Creation Tale - Review of 'Mank' (David Fincher, 2020)

Thomas Schatz (University of Texas at Austin)

'Nomadland': An American or Chinese Story? Review of 'Nomadland' (Chloe Zhao, 2020)

Ying Zhu (Hong Kong Baptist University)

“Retweet for More”: The Serialization of Porn on the Twitter Alter Community

Ruepert Jiel Dionisio Cao (Hong Kong Baptist University)

The Networked Storyteller and Her Digital Tale: Film Festivals and Ann Hui’s 'My Way'

Gina Marchetti (University of Hong Kong)

This Is Not Reality (Ceci n'est pas la réalité): Capturing the Imagination of the People Creativity, the Chinese Subaltern, and Documentary Storytelling

Paola Voci (University of Otago)

Letter from the Editor

Ying Zhu (Hong Kong Baptist University)

Consuming the Pastoral Desire: Li Ziqi, Food Vlogging and the Structure of Feeling in the Era of Microcelebrity

Limin Liang (City University of Hong Kong)
About

Editor-in-Chief: Ying Zhu (Professor, Academy of Film, Hong Kong Baptist University

Global Storytelling: Journal of Digital and Moving Images, housed at the Academy of Film and published by Michigan Publishing, will serve as an international and interdisciplinary forum for intellectual debates concerning the politics, economics, culture, media, and technology of the moving image. This open-access journal invites submissions that emphasize storytelling as a particular field of inquiry across different audiovisual formats, such as documentaries, journalistic videos, personal essays, broadcast series and serial dramas, and user-generated content. The journal is soliciting submissions from humanist scholars, social scientists, leading public intellectuals, policymakers, and film and media practitioners in the form of scholarly papers, thought-provoking short dialogue pieces, and engaging commentaries.  The journal aims to engage in cross-border, cross-disciplinary, cross-ideological and cross-cultural inquiry.

To submit your works to the journal, please proceed to our Submissions page. Please make sure to read the guidelines.

Global Storytelling also accepts proposals for special issues and guest editorship. Please contact us with your proposals.