Articles
Book Review: Oh, David. Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture (New Brunswick, NJ: Rutgers University Press, 2022)
Lori Kido Lopez
2022-12-15 Volume 9 • Issue 2 • 2022
Book Review: Fortmueller, Kate. Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production (Austin: University of Texas Press, 2021)
Lauren Steimer
2022-12-15 Volume 9 • Issue 2 • 2022
The Pilgrimage to Sand Hill Road: Venture Capital Investment in Publishing-Related Tech Start-ups
John B Thompson
2022-12-15 Volume 9 • Issue 2 • 2022
The Creative Labor of 2D-to-3D Conversion as a Reformatting Practice
Todd Kushigemachi
2022-12-15 Volume 9 • Issue 2 • 2022
Book Review: Grimes, Sara M. Digital Playgrounds: The Hidden Politics of Children’s Online Play Spaces, Virtual Worlds, and Connected Games (Toronto: University of Toronto Press, 2021)
Meredith A. Bak
2022-12-15 Volume 9 • Issue 2 • 2022
Book Review: Richards, Rashna Wadia. Cinematic TV: Serial Drama Goes to the Movies (New York: Oxford University Press, 2021)
Maria Suzanne Boyd
2022-12-15 Volume 9 • Issue 2 • 2022
Britain’s Got Talent? A Critique of the “Talent Pipeline” Crisis in the UK’s Film and Television Industries
Richard Wallis and Christa van Raalte
2022-08-23 Volume 9 • Issue 1 • 2022
Book Review: Crawford, Colin Jon Mark. Netflix’s Speculative Fictions: Financializing Platform Television (London: Lexington Books, 2021.)
Anna Louis Wiegenstein
2022-08-23 Volume 9 • Issue 1 • 2022