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47 results

The Screen Advertising Production Industry: SIC Codes and Screen Industries Mapping

Emily Caston

2022-08-23 Volume 9 • Issue 1 • 2022

Autonomy and Independence in Screen Production under State Subsidy: Tracing Kennedy Miller Mitchell’s Negotiated Dependencies with Australian Governments

James Douglas

2022-08-23 Volume 9 • Issue 1 • 2022

Britain’s Got Talent? A Critique of the “Talent Pipeline” Crisis in the UK’s Film and Television Industries

Richard Wallis and Christa van Raalte

2022-08-23 Volume 9 • Issue 1 • 2022

The Case of Deutschland 83: Global Internet-Distributed Television and its Effects on Local Viewing Behavior and Industry Practices

Kristina Brüning

2022-08-23 Volume 9 • Issue 1 • 2022

When a Subculture Goes Pop: Platforms, Mavericks, and Capital in the Production of “Boys’ Love” Web Series in China

Sheng Zou

2022-08-23 Volume 9 • Issue 1 • 2022

Book Review: Milne, Esther. Email and the Everyday: Stories of Disclosure, Trust, and Digital Labor (Cambridge: MIT Press, 2021.)

James N. Gilmore

2022-08-23 Volume 9 • Issue 1 • 2022

Book Review: Marzola, Luci. Engineering Hollywood: Technology, Technicians, and the Science of Building the Studio System (Oxford: Oxford University Press, 2021.)

Casey Walker

2022-08-23 Volume 9 • Issue 1 • 2022

Book Review: McClearen, Jennifer. Fighting Visibility: Sports Media and Female Athletes in the UFC (Champaign, IL: University of Illinois Press, 2021.)

Maggie Brooks

2022-08-23 Volume 9 • Issue 1 • 2022

Book Review: Martin, Alfred L., Jr. The Generic Closet: Black Gayness and the Black-Cast Sitcom (Bloomington: Indiana University Press, 2021.)

Lauren E. Wilks

2022-08-23 Volume 9 • Issue 1 • 2022

Book Review: El Khachab, Chihab. Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry (New York: The American University in Cairo Press, 2021.)

Claire Cooley

2022-08-23 Volume 9 • Issue 1 • 2022

Book Review: Crawford, Colin Jon Mark. Netflix’s Speculative Fictions: Financializing Platform Television (London: Lexington Books, 2021.)

Anna Louis Wiegenstein

2022-08-23 Volume 9 • Issue 1 • 2022

The Labor of Digital Privacy Advocacy in an Era of Big Tech

Jennifer Holt and Lisa Parks

2021-10-05 Volume 8 • Issue 1 • 2021

Structured Industry Workshops as Methodology: Researching National Screen Agencies and Policies

Eva Novrup Redvall and Inge Ejbye Sørensen

2021-10-05 Volume 8 • Issue 1 • 2021

Taking Netflix to the Cinema: National Cinema Value Chain Disruptions in the Age of Streaming

Diane Burgess and Kirsten Stevens

2021-10-05 Volume 8 • Issue 1 • 2021

Gendered Labour in the Neo-Art House

Alicia Kozma

2021-10-05 Volume 8 • Issue 1 • 2021

Book Review: Hadas, Leora. Authorship as Promotional Discourse in the Screen Industries: Selling Genius (New York: Taylor & Francis, 2020.)

Alex Remington

2021-10-05 Volume 8 • Issue 1 • 2021

Book Review: Jones, Angela. Camming: Money, Power, and Pleasure in the Sex Work Industry (New York: New York University Press, 2020.)

Julia Chan

2021-10-05 Volume 8 • Issue 1 • 2021

Book Review: Damiens, Antoine. LGBTQ Film Festivals: Curating Queerness (Amsterdam: Amsterdam University Press, 2020.)

Jonathan Petrychyn

2021-10-05 Volume 8 • Issue 1 • 2021

Book Review: Díaz, Vanessa. Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Durham: Duke University Press, 2020.)

Luis E. Rivera-Figueroa

2021-10-05 Volume 8 • Issue 1 • 2021

Book Review: Bulut, Ergin. A Precarious Game: The Illusion of Dream Jobs in the Video Game Industry (Ithaca: Cornell University Press, 2020.)

Ashley Jones

2021-10-05 Volume 8 • Issue 1 • 2021

Book Review: Hughes, Kit. Television at Work: Industrial Media and American Labor (New York: Oxford University Press, 2020.)

Karen Petruska

2021-10-05 Volume 8 • Issue 1 • 2021

Beyond Streaming Wars: Rethinking Competition in Video Services

Ramon Lobato and Amanda Lotz

2021-10-05 Volume 8 • Issue 1 • 2021