Articles
47 results
The Screen Advertising Production Industry: SIC Codes and Screen Industries Mapping
Emily Caston
2022-08-23 Volume 9 • Issue 1 • 2022
Autonomy and Independence in Screen Production under State Subsidy: Tracing Kennedy Miller Mitchell’s Negotiated Dependencies with Australian Governments
James Douglas
2022-08-23 Volume 9 • Issue 1 • 2022
Britain’s Got Talent? A Critique of the “Talent Pipeline” Crisis in the UK’s Film and Television Industries
Richard Wallis and Christa van Raalte
2022-08-23 Volume 9 • Issue 1 • 2022
The Case of Deutschland 83: Global Internet-Distributed Television and its Effects on Local Viewing Behavior and Industry Practices
Kristina Brüning
2022-08-23 Volume 9 • Issue 1 • 2022
When a Subculture Goes Pop: Platforms, Mavericks, and Capital in the Production of “Boys’ Love” Web Series in China
Sheng Zou
2022-08-23 Volume 9 • Issue 1 • 2022
Book Review: Milne, Esther. Email and the Everyday: Stories of Disclosure, Trust, and Digital Labor (Cambridge: MIT Press, 2021.)
James N. Gilmore
2022-08-23 Volume 9 • Issue 1 • 2022
Book Review: Marzola, Luci. Engineering Hollywood: Technology, Technicians, and the Science of Building the Studio System (Oxford: Oxford University Press, 2021.)
Casey Walker
2022-08-23 Volume 9 • Issue 1 • 2022
Book Review: McClearen, Jennifer. Fighting Visibility: Sports Media and Female Athletes in the UFC (Champaign, IL: University of Illinois Press, 2021.)
Maggie Brooks
2022-08-23 Volume 9 • Issue 1 • 2022
Book Review: Martin, Alfred L., Jr. The Generic Closet: Black Gayness and the Black-Cast Sitcom (Bloomington: Indiana University Press, 2021.)
Lauren E. Wilks
2022-08-23 Volume 9 • Issue 1 • 2022
Book Review: El Khachab, Chihab. Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry (New York: The American University in Cairo Press, 2021.)
Claire Cooley
2022-08-23 Volume 9 • Issue 1 • 2022
Book Review: Crawford, Colin Jon Mark. Netflix’s Speculative Fictions: Financializing Platform Television (London: Lexington Books, 2021.)
Anna Louis Wiegenstein
2022-08-23 Volume 9 • Issue 1 • 2022
The Labor of Digital Privacy Advocacy in an Era of Big Tech
Jennifer Holt and Lisa Parks
2021-10-05 Volume 8 • Issue 1 • 2021
Structured Industry Workshops as Methodology: Researching National Screen Agencies and Policies
Eva Novrup Redvall and Inge Ejbye Sørensen
2021-10-05 Volume 8 • Issue 1 • 2021
Taking Netflix to the Cinema: National Cinema Value Chain Disruptions in the Age of Streaming
Diane Burgess and Kirsten Stevens
2021-10-05 Volume 8 • Issue 1 • 2021
Book Review: Hadas, Leora. Authorship as Promotional Discourse in the Screen Industries: Selling Genius (New York: Taylor & Francis, 2020.)
Alex Remington
2021-10-05 Volume 8 • Issue 1 • 2021
Book Review: Jones, Angela. Camming: Money, Power, and Pleasure in the Sex Work Industry (New York: New York University Press, 2020.)
Julia Chan
2021-10-05 Volume 8 • Issue 1 • 2021
Book Review: Damiens, Antoine. LGBTQ Film Festivals: Curating Queerness (Amsterdam: Amsterdam University Press, 2020.)
Jonathan Petrychyn
2021-10-05 Volume 8 • Issue 1 • 2021
Book Review: Díaz, Vanessa. Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Durham: Duke University Press, 2020.)
Luis E. Rivera-Figueroa
2021-10-05 Volume 8 • Issue 1 • 2021
Book Review: Bulut, Ergin. A Precarious Game: The Illusion of Dream Jobs in the Video Game Industry (Ithaca: Cornell University Press, 2020.)
Ashley Jones
2021-10-05 Volume 8 • Issue 1 • 2021
Book Review: Hughes, Kit. Television at Work: Industrial Media and American Labor (New York: Oxford University Press, 2020.)
Karen Petruska
2021-10-05 Volume 8 • Issue 1 • 2021
Beyond Streaming Wars: Rethinking Competition in Video Services
Ramon Lobato and Amanda Lotz
2021-10-05 Volume 8 • Issue 1 • 2021