• Show Filter Options

Articles

The Materialization of Television Formats

Joonseok Choi

2022-12-15 Volume 9 • Issue 2 • 2022

Book Review: Oh, David. Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture (New Brunswick, NJ: Rutgers University Press, 2022)

Lori Kido Lopez

2022-12-15 Volume 9 • Issue 2 • 2022

Book Review: Fortmueller, Kate. Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production (Austin: University of Texas Press, 2021)

Lauren Steimer

2022-12-15 Volume 9 • Issue 2 • 2022

The Pilgrimage to Sand Hill Road: Venture Capital Investment in Publishing-Related Tech Start-ups

John B Thompson

2022-12-15 Volume 9 • Issue 2 • 2022

The Creative Labor of 2D-to-3D Conversion as a Reformatting Practice

Todd Kushigemachi

2022-12-15 Volume 9 • Issue 2 • 2022

Book Review: Grimes, Sara M. Digital Playgrounds: The Hidden Politics of Children’s Online Play Spaces, Virtual Worlds, and Connected Games (Toronto: University of Toronto Press, 2021)

Meredith A. Bak

2022-12-15 Volume 9 • Issue 2 • 2022

Book Review: Richards, Rashna Wadia. Cinematic TV: Serial Drama Goes to the Movies (New York: Oxford University Press, 2021)

Maria Suzanne Boyd

2022-12-15 Volume 9 • Issue 2 • 2022

Britain’s Got Talent? A Critique of the “Talent Pipeline” Crisis in the UK’s Film and Television Industries

Richard Wallis and Christa van Raalte

2022-08-23 Volume 9 • Issue 1 • 2022

Book Review: Crawford, Colin Jon Mark. Netflix’s Speculative Fictions: Financializing Platform Television (London: Lexington Books, 2021.)

Anna Louis Wiegenstein

2022-08-23 Volume 9 • Issue 1 • 2022

Book Review: Martin, Alfred L., Jr. The Generic Closet: Black Gayness and the Black-Cast Sitcom (Bloomington: Indiana University Press, 2021.)

Lauren E. Wilks

2022-08-23 Volume 9 • Issue 1 • 2022