Articles
Book Review: McClearen, Jennifer. Fighting Visibility: Sports Media and Female Athletes in the UFC (Champaign, IL: University of Illinois Press, 2021.)
Maggie Brooks
2022-08-24 Volume 9 • Issue 1 • 2022
Britain’s Got Talent? A Critique of the “Talent Pipeline” Crisis in the UK’s Film and Television Industries
Richard Wallis and Christa van Raalte
2022-08-24 Volume 9 • Issue 1 • 2022
Book Review: El Khachab, Chihab. Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry (New York: The American University in Cairo Press, 2021.)
Claire Cooley
2022-08-24 Volume 9 • Issue 1 • 2022
Autonomy and Independence in Screen Production under State Subsidy: Tracing Kennedy Miller Mitchell’s Negotiated Dependencies with Australian Governments
James Douglas
2022-08-24 Volume 9 • Issue 1 • 2022
When a Subculture Goes Pop: Platforms, Mavericks, and Capital in the Production of “Boys’ Love” Web Series in China
Sheng Zou
2022-08-24 Volume 9 • Issue 1 • 2022
Book Review: Crawford, Colin Jon Mark. Netflix’s Speculative Fictions: Financializing Platform Television (London: Lexington Books, 2021.)
Anna Louis Wiegenstein
2022-08-24 Volume 9 • Issue 1 • 2022
Book Review: Martin, Alfred L., Jr. The Generic Closet: Black Gayness and the Black-Cast Sitcom (Bloomington: Indiana University Press, 2021.)
Lauren E. Wilks
2022-08-24 Volume 9 • Issue 1 • 2022
The Screen Advertising Production Industry: SIC Codes and Screen Industries Mapping
Emily Caston
2022-08-24 Volume 9 • Issue 1 • 2022
Book Review: Milne, Esther. Email and the Everyday: Stories of Disclosure, Trust, and Digital Labor (Cambridge: MIT Press, 2021.)
James N. Gilmore
2022-08-24 Volume 9 • Issue 1 • 2022