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Volume 16 • Issue 2 • Summer 2022

Articles


Musical Testimonies of Terezín and the Possibilities of Contrapuntal Listening

Amy Lynn Wlodarski

2022-08-19 Volume 16 • Issue 2 • Summer 2022

Mixed Motives: Soviet Symphonies and Propagandistic Duplicity in The Iron Curtain (1948)

Nathan Platte

2022-08-19 Volume 16 • Issue 2 • Summer 2022

“You Don’t Belong in Nashville!”: Politics, Country Music, and the Reception of Robert Altman’s Nashville

Dan Blim

2022-08-19 Volume 16 • Issue 2 • Summer 2022

Prince Csaba, Lead Your People Once More: Hungarian Nationalist Rock and Performance of Place in Szekler Land

Jessica Vansteenberg

2022-08-19 Volume 16 • Issue 2 • Summer 2022

Back Matter


About the Authors

2022-08-19 Volume 16 • Issue 2 • Summer 2022