Skip to main content

Articles

34 results

Introduction

Introduction

Massumeh Farhad

2024-12-19 Volume 54 • 2024

Records From a Disappearing Temple: A Note on the “King and Queen” in the Painted Gallery at Kuh-i Khwaja

Records From a Disappearing Temple: A Note on the “King and Queen” in the Painted Gallery at Kuh-i Khwaja

Frantz Grenet

2024-12-19 Volume 54 • 2024

Moving Mountains and Swallowing Seas: Śaiva Gurus as Ecological Agents in Early South and Southeast Asia

Moving Mountains and Swallowing Seas: Śaiva Gurus as Ecological Agents in Early South and Southeast Asia

Elizabeth A. Cecil

2024-12-19 Volume 54 • 2024

Rock, Paper, Scissors: Durable Ephemera and Networks of Stone in Quanzhou’s Zhenguo Pagoda

Rock, Paper, Scissors: Durable Ephemera and Networks of Stone in Quanzhou’s Zhenguo Pagoda

Jennifer Purtle

2024-12-19 Volume 54 • 2024

Images Old and New: Buddhist Painting Preservation and the Transmission of Tradition in Premodern Japan

Images Old and New: Buddhist Painting Preservation and the Transmission of Tradition in Premodern Japan

Miriam Chusid

2024-12-19 Volume 54 • 2024

Invader Enthroned: The Indian Portraits of Nadir Shah and Their Local and British Collectors

Invader Enthroned: The Indian Portraits of Nadir Shah and Their Local and British Collectors

Janet O’Brien

2024-12-19 Volume 54 • 2024

From Private to Public: The Movement of Pahari Paintings from Royal Collections to the Chandigarh Museum in Post-Independence India

From Private to Public: The Movement of Pahari Paintings from Royal Collections to the Chandigarh Museum in Post-Independence India

Vrinda Agrawal

2024-12-19 Volume 54 • 2024

Jananne Al-Ani in Conversation

Jananne Al-Ani in Conversation

Jananne Al-Ani and Massumeh Farhad

2024-12-19 Volume 54 • 2024

Scholarly Writing in the Face of Generative AI: A View from Art History

Scholarly Writing in the Face of Generative AI: A View from Art History

Nancy Um

2024-12-19 Volume 54 • 2024

Introduction

Introduction

Massumeh Farhad

2023-12-15 Volume 53 • 2023

Portable Faith: Toward a Non-Site-Specific History of Buddhist Art in Japan

Portable Faith: Toward a Non-Site-Specific History of Buddhist Art in Japan

Chun-Wa Chan

2023-12-15 Volume 53 • 2023

Did Ernst Herzfeld Find the Qaṣʿat Firʿawn (Pharaoh’s Bowl) in the Caliphal Palace at Samarra?

Did Ernst Herzfeld Find the Qaṣʿat Firʿawn (Pharaoh’s Bowl) in the Caliphal Palace at Samarra?

Fatma Dahmani

2023-12-15 Volume 53 • 2023

Green with Envy: Celadons, Circulation, and Emulation in the Red Sea, Persian Gulf and Indian Ocean Worlds

Green with Envy: Celadons, Circulation, and Emulation in the Red Sea, Persian Gulf and Indian Ocean Worlds

Denise-Marie Teece

2023-12-15 Volume 53 • 2023

Xenophobia and Resignation in the Wake of the Mongol Conquest: Topical Allusions in Gong Kai’s Zhong Kui Scroll

Xenophobia and Resignation in the Wake of the Mongol Conquest: Topical Allusions in Gong Kai’s Zhong Kui Scroll

Shi-yee Liu

2023-12-15 Volume 53 • 2023

A Freer Couplet by Gui Fu: Memory, Style, and Virtue in Qing Calligraphy

A Freer Couplet by Gui Fu: Memory, Style, and Virtue in Qing Calligraphy

Weitian Yan

2023-12-15 Volume 53 • 2023

A Singular Step: Freer’s Purchase of the Hanna Collection

A Singular Step: Freer’s Purchase of the Hanna Collection

Brinda Kumar

2023-12-15 Volume 53 • 2023

Defining Raku Ceramics: Translations, Elisions, Evolutions

Defining Raku Ceramics: Translations, Elisions, Evolutions

Morgan Pitelka

2023-12-15 Volume 53 • 2023

An Artistic Nature: Kōno Michisei’s Self-Portrait (1917)

An Artistic Nature: Kōno Michisei’s Self-Portrait (1917)

Helen Swift

2023-12-15 Volume 53 • 2023

Toward an Ethics of Place: Asian Art in/and Digital Art History

Toward an Ethics of Place: Asian Art in/and Digital Art History

Stephen H. Whiteman

2023-12-15 Volume 53 • 2023

降元後的仇外與認命:龔開《中山出遊圖》對時事的影射

降元後的仇外與認命:龔開《中山出遊圖》對時事的影射

劉晞儀

2023-12-15 Volume 53 • 2023

Review: Interwoven, A Digital Public Platform To Connect Artworks Across Museums

Review: Interwoven, A Digital Public Platform To Connect Artworks Across Museums

Deepthi Murali

2023-12-15 Volume 53 • 2023

Introduction: Reuse, Recycle, and Repurpose: The Afterlives of Japanese Material Culture

Introduction: Reuse, Recycle, and Repurpose: The Afterlives of Japanese Material Culture

Halle O’Neal

2023-05-12 Volume 52 • 2022

Marking Death: Stamped Buddhas and Reused Letters in 13th-Century Japan

Marking Death: Stamped Buddhas and Reused Letters in 13th-Century Japan

Halle O’Neal

2023-05-12 Volume 52 • 2022

A Sutra as a Notebook? Printing and Repurposing Scriptures in Medieval Japan

A Sutra as a Notebook? Printing and Repurposing Scriptures in Medieval Japan

Lucia Dolce

2023-05-12 Volume 52 • 2022

Reading Tekagamijō: Fragmentation and Reintegration in a Seventeenth-Century Calligraphy Album

Reading Tekagamijō: Fragmentation and Reintegration in a Seventeenth-Century Calligraphy Album

Edward Kamens

2023-05-12 Volume 52 • 2022