Articles

25 results

降元後的仇外與認命：龔開《中山出遊圖》對時事的影射

降元後的仇外與認命：龔開《中山出遊圖》對時事的影射

劉晞儀

2023-12-15 Volume 53 • 2023

Toward an Ethics of Place: Asian Art in/and Digital Art History

Toward an Ethics of Place: Asian Art in/and Digital Art History

Stephen H. Whiteman

2023-12-15 Volume 53 • 2023

Introduction

Introduction

Massumeh Farhad

2023-12-15 Volume 53 • 2023

A Freer Couplet by Gui Fu: Memory, Style, and Virtue in Qing Calligraphy

A Freer Couplet by Gui Fu: Memory, Style, and Virtue in Qing Calligraphy

Weitian Yan

2023-12-15 Volume 53 • 2023

Defining Raku Ceramics: Translations, Elisions, Evolutions

Defining Raku Ceramics: Translations, Elisions, Evolutions

Morgan Pitelka

2023-12-15 Volume 53 • 2023

An Artistic Nature: Kōno Michisei’s Self-Portrait (1917)

An Artistic Nature: Kōno Michisei’s Self-Portrait (1917)

Helen Swift

2023-12-15 Volume 53 • 2023

A Singular Step: Freer’s Purchase of the Hanna Collection

A Singular Step: Freer’s Purchase of the Hanna Collection

Brinda Kumar

2023-12-15 Volume 53 • 2023

Xenophobia and Resignation in the Wake of the Mongol Conquest: Topical Allusions in Gong Kai’s Zhong Kui Scroll

Xenophobia and Resignation in the Wake of the Mongol Conquest: Topical Allusions in Gong Kai’s Zhong Kui Scroll

Shi-yee Liu

2023-12-15 Volume 53 • 2023

Did Ernst Herzfeld Find the Qaṣʿat Firʿawn (Pharaoh’s Bowl) in the Caliphal Palace at Samarra?

Did Ernst Herzfeld Find the Qaṣʿat Firʿawn (Pharaoh’s Bowl) in the Caliphal Palace at Samarra?

Fatma Dahmani

2023-12-15 Volume 53 • 2023

Portable Faith: Toward a Non-Site-Specific History of Buddhist Art in Japan

Portable Faith: Toward a Non-Site-Specific History of Buddhist Art in Japan

Chun-Wa Chan

2023-12-15 Volume 53 • 2023

Review: Interwoven, A Digital Public Platform To Connect Artworks Across Museums

Review: Interwoven, A Digital Public Platform To Connect Artworks Across Museums

Deepthi Murali

2023-12-15 Volume 53 • 2023

Green with Envy: Celadons, Circulation, and Emulation in the Red Sea, Persian Gulf and Indian Ocean Worlds

Green with Envy: Celadons, Circulation, and Emulation in the Red Sea, Persian Gulf and Indian Ocean Worlds

Denise-Marie Teece

2023-12-15 Volume 53 • 2023

Introduction: Reuse, Recycle, and Repurpose: The Afterlives of Japanese Material Culture

Introduction: Reuse, Recycle, and Repurpose: The Afterlives of Japanese Material Culture

Halle O’Neal

2023-05-13 Volume 52 • 2022

Archeogaming for Education in the Classroom and Beyond

Archeogaming for Education in the Classroom and Beyond

Shannon Martino

2023-05-13 Volume 52 • 2022

Mended Bodies: Ceramics Restored with Lacquer

Mended Bodies: Ceramics Restored with Lacquer

Yayoi Shinoda

2023-05-13 Volume 52 • 2022

Review: Tekagami & Kyōgire

Review: Tekagami & Kyōgire

Paula R. Curtis

2023-05-13 Volume 52 • 2022

Reuse and Recycling: Implications in Japanese Painting Conservation

Reuse and Recycling: Implications in Japanese Painting Conservation

Tanya Uyeda

2023-05-13 Volume 52 • 2022

The Afterlives of Dolls: On the Productive Death of Terminal Commodities

The Afterlives of Dolls: On the Productive Death of Terminal Commodities

Fabio Gygi

2023-05-13 Volume 52 • 2022

The Emotional Toll of Wartime Bell Deployment in Japan

The Emotional Toll of Wartime Bell Deployment in Japan

Sherry Fowler

2023-05-13 Volume 52 • 2022

Refurbish, Reconsecrate, Repurpose: Handling Old and Incinerated Icons in Medieval Japan

Refurbish, Reconsecrate, Repurpose: Handling Old and Incinerated Icons in Medieval Japan

Benedetta Lomi

2023-05-13 Volume 52 • 2022

Making Memories: The Conceptual Reuse of the Kakuanji Kokūzō Bosatsu Sculpture

Making Memories: The Conceptual Reuse of the Kakuanji Kokūzō Bosatsu Sculpture

Hillary Pedersen

2023-05-13 Volume 52 • 2022

Kaijō, Jakuchō, and Repurposing Wood for Sacred Images in Kamakura-Period Sculpture

Kaijō, Jakuchō, and Repurposing Wood for Sacred Images in Kamakura-Period Sculpture

Samuel Morse

2023-05-13 Volume 52 • 2022

Reading Tekagamijō: Fragmentation and Reintegration in a Seventeenth-Century Calligraphy Album

Reading Tekagamijō: Fragmentation and Reintegration in a Seventeenth-Century Calligraphy Album

Edward Kamens

2023-05-13 Volume 52 • 2022

A Sutra as a Notebook? Printing and Repurposing Scriptures in Medieval Japan

A Sutra as a Notebook? Printing and Repurposing Scriptures in Medieval Japan

Lucia Dolce

2023-05-13 Volume 52 • 2022

Marking Death: Stamped Buddhas and Reused Letters in 13th-Century Japan

Marking Death: Stamped Buddhas and Reused Letters in 13th-Century Japan

Halle O’Neal

2023-05-13 Volume 52 • 2022