Volume 46 • Issue 1 • 2022
Feature Articles
Necessarily Problematic: Archival Looking in Arthur Jafa’s 'Love Is The Message, The Message Is Death'
Zachariah Anderson
2022-06-22 Volume 46 • Issue 1 • 2022
Freewheeling Through Film History: The Green Fog and the Vertigo of Time
Russell Banfield
2022-06-22 Volume 46 • Issue 1 • 2022
The Sound of Glass Shattering: From the Modern Cityscape of Playtime to the Virtual Office of 2020
Simone Hine
2022-06-22 Volume 46 • Issue 1 • 2022
From Silence to Story, through Listening and Healing: Following the Cinematic Arc of the Returning Combat Veteran in The Yellow Birds
David T Johnson
2022-06-22 Volume 46 • Issue 1 • 2022
The Frames That Unframe: Abbas Kiarostami’s Method of Decreation in 24 Frames
Mohammad Mehdi Kimiagari
2022-06-22 Volume 46 • Issue 1 • 2022
High-Rise Visions: Surveillance, Architecture, and the Lacanian Gaze in Andrea Arnold’s Red Road
Sierra Komar
2022-06-22 Volume 46 • Issue 1 • 2022
The Tethered Shadow: Jordan Peele and Stanley Kubrick
Joy McEntee
2022-06-22 Volume 46 • Issue 1 • 2022
Book Reviews
Daisuke Miyao, Japonisme and the Birth of Cinema (Duke University Press, 2020)
Ruoyi Bian
2022-06-22 Volume 46 • Issue 1 • 2022
Donna Kornhaber, Nightmares in the Dream Sanctuary: War and the Animated Film (The University of Chicago Press, 2020)
Josh Heaps
2022-06-22 Volume 46 • Issue 1 • 2022
Gerald Sim, Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability (Amsterdam University Press)
Daniel Moore
2022-06-22 Volume 46 • Issue 1 • 2022
Ariel Rogers, On the Screen: Displaying the Moving Image, 1926-1942 (Columbia University Press, 2019)
Stephanie Oliver
2022-06-22 Volume 46 • Issue 1 • 2022