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Volume 48 • Issue 2 • 2024


Introduction: Black Film Feminisms

Courtney R. Baker, Ellen C. Scott and Elizabeth Reich

2024-12-12 Volume 48 • Issue 2 • 2024

Black Women Provide Divergent Representations of Blackness in Buster Keaton’s Silent Pictures

Charlene Regester

2024-12-12 Volume 48 • Issue 2 • 2024

“A Woman with Film Reels for Eyes”: The Many Genres and Speculative Possibilities of Black Women’s Film Criticism

Hayley O’Malley

2024-12-12 Volume 48 • Issue 2 • 2024

Black Women Filmmakers: Professional Journey, Personal Reflection

Jacqueline Bobo

2024-12-12 Volume 48 • Issue 2 • 2024

Black Women Documentary Filmmakers Roundtable: Zeinabu irene Davis, Juanita Anderson, and Tracy H. Strain

Elizabeth Reich

2024-12-12 Volume 48 • Issue 2 • 2024

Claiming Spaces: An Interview with Tracy H. Strain

Kayla Brockington

2024-12-12 Volume 48 • Issue 2 • 2024

The Contours of Black Women’s “Historical Imagination”: An Interview with Shola Lynch

Ellen Scott and Shola Lynch

2024-12-12 Volume 48 • Issue 2 • 2024

Feeling First: An Interview with Filmmaker Aarin Burch

Liz Reich

2024-12-12 Volume 48 • Issue 2 • 2024

Love is at the Center: In Praise of Black Feminist Film Criticism

Samantha Sheppard

2024-12-12 Volume 48 • Issue 2 • 2024

Black Women’s Music Videos: Towards a Critical Bibliography of One Black Film Feminism

Liz Reich, Maria Alexandra Arana Blas, Hayden Bunker, Chi-Tsung Chang, Meghan Hipple, Nicene McNeil, Senjuti Mukherjee, Jay Rauch, Abhisek Roy Barman and Hebah Uddin

2024-12-12 Volume 48 • Issue 2 • 2024

All Over the Place, or Everything Everywhere All at Once: The 18th Edition of the Mumbai International Film Festival

Damini Kulkarni

2024-12-12 Volume 48 • Issue 2 • 2024

Early Hollywood’s Social Awareness Films and Contemporary Cinema: The Locarno International Film Festival, 2024

Lucian Țion

2024-12-12 Volume 48 • Issue 2 • 2024