Volume 9 • Issue 2 • 2022

Article

The Pilgrimage to Sand Hill Road: Venture Capital Investment in Publishing-Related Tech Start-ups

John B Thompson

2022-12-16 Volume 9 • Issue 2 • 2022

Between the Movie and the Money: Packaging the 1970s Motion Picture Tax Shelter

Landon Palmer

2022-12-16 Volume 9 • Issue 2 • 2022

Circulation Patterns, Abundance and Scarcity: Film Availability in the Online Era

Roderik Smits

2022-12-16 Volume 9 • Issue 2 • 2022

The Creative Labor of 2D-to-3D Conversion as a Reformatting Practice

Todd Kushigemachi

2022-12-16 Volume 9 • Issue 2 • 2022

The Materialization of Television Formats

Joonseok Choi

2022-12-16 Volume 9 • Issue 2 • 2022

Book Review

Book Review: Fortmueller, Kate. Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production (Austin: University of Texas Press, 2021)

Lauren Steimer

2022-12-16 Volume 9 • Issue 2 • 2022

Book Review: Richards, Rashna Wadia. Cinematic TV: Serial Drama Goes to the Movies (New York: Oxford University Press, 2021)

Maria Suzanne Boyd

2022-12-16 Volume 9 • Issue 2 • 2022

Book Review: Grimes, Sara M. Digital Playgrounds: The Hidden Politics of Children’s Online Play Spaces, Virtual Worlds, and Connected Games (Toronto: University of Toronto Press, 2021)

Meredith A. Bak

2022-12-16 Volume 9 • Issue 2 • 2022

Book Review: Supp-Montgomerie, Jenna. When the Medium Was the Mission: The Atlantic Telegraph and the Religious Origins of Network Culture (New York: New York University Press, 2021)

Kayti Lausch

2022-12-16 Volume 9 • Issue 2 • 2022

Book Review: Oh, David. Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture (New Brunswick, NJ: Rutgers University Press, 2022)

Lori Kido Lopez

2022-12-16 Volume 9 • Issue 2 • 2022